In Celebration of the Human Voice - The Essential Musical Instrument
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Michael John Trotta : For a Breath of Ecstasy This work draws texts from Love Songs, the anthology of celebrated American poet, Sara Teasdale (1884-1933), and was commissioned to celebrate the centennial of her winning the first Pulitzer Prize in Poetry in 1918. Each of the movements of For a Breath of Ecstasy chronicles Teasdale's search for solace amidst life's many storms. The tapestry of different vocal forces set against the backdrop of Oboe and Strings reveals moments of yearning, love, joy, and peace. Vivid imagery portrays transcendent moments of solace that are revealed in an individual's relationship to nature and in love. - Michael John Trotta ![]() Michael John Trotta : Seven Last Words (Septem Ultima Verba) This long-awaited major work is a seven-movement choral journey through the Passion, which delivers a powerful and captivating story encompassing a breathtaking palette of emotion, from intimate tenderness to majestic triumph. A rare gem, powerfully emotive and effective in both liturgical and concert settings. The work may be performed in either English or in Latin. Duration: 40 min. Movements include:1. Father, Forgive Them2. Today, You Will Be with Me3. Behold Your Son4. I Thirst5. My God, Why Have You Abandoned Me?6. Into Your Hands I Surrender My Soul7. It is Finished. The piece may be done with Full Orchestra (Flute, Oboe, 2 Trumpets in C, Horn in F, Timpani, Harp, Strings), or with a Chamber Ensemble (Flute, Oboe, Horn in F, Piano). Preview pack includes a choral score and CD recording. ![]() |
Displaying 1-37 of 37 items.
This piece features close harmonies in the treble voices and uses a graceful melodic shape in the contrasting middle section on the text,"O Master, grant that I may never seek..."
The text is an excerpt from the Salve Regina, also known as the Hail Holy Queen, a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The Hail Holy Queen is also the final prayer of the Rosary. Duration: 3:40
A haunting and contemporary arrangement of this wonderful old English carol. The subtle dissonance and tonal shifts make this a memorable and meaningful setting.
The harmonic language of this setting of "Amazing Grace" portrays a feeling of mystery and awe. Completely original music is matched with this most familiar text to create an experience that feels both familiar, but simultaneously transports the listener to someplace new. Very meaningful. Optional parts are included in the score.
This piece was written as an exploration of finding sanctuary from the hectic pace that is prevalent in today's society. The pedal point in the bass line introduces a placid texture from which a rich sonority unfolds. Based on Philippians 4:6.
A gentle a cappella setting of the traditional prayer to Mary. The texture is chordal throughout and offers an unpretentious treatment of the text, with occasional sharp dissonances adding a shimmering effect. For directors with a capable soprano soloist or section, an optional descent hangs angelically above the chorus, adding further interest and elegance to the work.
An original adaptation of Psalm 46. The arrangement features accessible, yet interesting, choral writing along with a flowing piano accompaniment.
An original text inspired by Psalm 133 is set for a cappella SATB choir and soloist. Due to lovely writing and sensitive voice leading, this sounds more complex than it is. Your choir will love this calm, sonorous music.
A TTBB setting of the composer's very popular SATB version. An original text inspired by Psalm 133 is set for a cappella TTBB choir and soloist. Due to lovely writing and sensitive voice leading, this sounds more complex than it is. Your choir will love this calm, sonorous music.
The well-known Shakespeare poem in a dramatic setting, featuring an interesting treatment of the text. The tambourine adds a new color to the performance. For mature high school and college choirs. Duration: ca. 3:50.ÊJo-Michael Scheibe Choral Series.
Poetry By: William Shakespeare
Based on Psalm 27, the simple rhythmic texture of this piece makes for an accessible work for many ensembles. A simple harmonic palette is used to introduce the text in the first verse. A fuller sonority is reserved for the text "In times of trouble he shall hide me."
Taken from the major work Seven Last Words.
Beautiful and emotional legato lines transform this Robert Louis Stevenson text into a classic choral work for treble voices. A simple piano accompaniment gently supports the caring vocal lines that ebb and flow with unison and harmonic singing.
Poetry By: Robert Louis Stevenson
Profound in its simplicity, this anthem unfolds organically revealing its truth with sincerity and beauty. Pristine melodic contouring is displayed at its best in a kaleidoscope of harmonic color, all dancing together to create an impactful worship moment.
A big, fun festival piece. The children's choir part is prominent and often sings with or against the adults, so it's essential. The SATB writing varies from full chords to quick imitative passages to a quiet chorale-like section. The accompaniment is flashy and could be effectively done on either piano or organ. In fact, a full orchestra accompaniment is available, with winds in pairs, two percussionists, harp, and strings. Duration: 4:00
Trotta's fine vocal writing sets a text adapted from Stein's poem into a picture postcard of winter beauty. The piano is rhythmic with forward motion under interesting vocals lines that paint each phrase. There were frosted-painted people, and a frosted church and steeple and a frosted bridge and river tumbling over frosted rocks. A superb selection for women's voices and treble choirs.
Louis de Montfort wrote the text used in this setting in the early 18th century. It is a hymn of devotion and total surrender to a power greater than oneself. The lush extended harmonies proceed from an pedal point and continue in straightforward rhythm making the piece at once accessible yet giving new life to the ancient text. Even the most dissonant moments of the work remain firmly planted in the diatonic scale. The thoughtful voice leading enables this piece to be used in both liturgical and concert settings. Duration: 4:50
The contrast between the cold of winter and the warm rays of light found in nature at this time of year, make this ideal for emerging choirs looking for secular seasonal repertoire. Conservative vocal ranges, cued optional notes, text painting, and a canonic second part all add to the accessibility of this piece.
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