In Celebration of the Human Voice - The Essential Musical Instrument
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Matthew studied at Kings College, Cambridge, and at the National Opera Studio, and in 1982 won the Decca-Kathleen Ferrier Prize. At the outset of his career, he sang as a principal bass with The Royal Opera, Covent Garden, and as a guest with many other companies, and in recent years he has moved into the bass-baritone and Heldenbariton repertory. This process reached a significant landmark when he sang the role of Wotan/The Wanderer in Scottish Opera's new production of Der Ring des Nibelungen, first seen at the Edinburgh International Festival.
His various recordings include Beethoven's Leonore, Berlioz' L'enfance du Christ, Britten's Billy Budd and Peter Grimes, Elgar's The Dream of Gerontius, Falla's El Retablo di Maese Pedro, Menotti's Martin's Lie and Rossini's Il barbiere di Siviglia.
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Review: In the catalogue of Britten's compositions those involving a chorus, often without instrumental or orchestral accompaniment loom large. They stretch right across his working life, beginning in 1929 and ending in the Op 95 his last completed score finished a few months before his death. The four pieces recorded here belong in the first half of that period, the earliest of them dates from 1933, the latest from 1949, perhaps his most productive period. Mathew Best, as usual, does a wonderful job bringing these works to life.
Songlist: Rejoice In The Lamb, A Wedding Anthem, Festival Te Deum, A Boy Was Born
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