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Dennis Keene is Artistic Director and conductor of the Voices of Ascension Chorus & Orchestra. Known internationally through his many concerts and recordings with Voices of Ascension; his regular guest appearances as conductor and clinician; and his work as Artistic Director of The Dennis Keene Choral Festival, he has emerged as one of leading choral conductors in the world today.
Recognized early as an exceptional organist, Dennis Keene began musical studies and performing in his native Los Angeles. He moved to New York City to study at The Juilliard School, where he earned the BM, MM, and DMA degrees and the coveted Gaston Dethier Organ Prize as a student of Vernon de Tar. Dennis Keene was active as a recitalist until his interest in conducting led him to concentrate on that discipline. He subsequently studied conducting at the Pierre Monteux School for Orchestral Conductors, with Charles Bruck in Paris, and with John Nelson at The Juilliard School. His passion for the finest in professional choral music can be traced to his early work as organist with Gregg Smith, Roger Wagner, and Margaret Hillis.
Groups directed - Voices of Ascension
Displaying 1-5 of 5 items.
Review:
Songlist: Te Deum, Op. 22:, Te Deum, Tibi omnes, Dignare, Christe, Rex gloriae, Te ergo quaesumus, Judex crederis, Spoken Commentary by Dennis Keene:, Introductory comments, Te Deum commentary, Tibe omnes commentary, Dignare commentary, Christe, Rex gloriae commentary, Te ergo quaesumus commentary, Judex crederis commentary
Review: review pending
Songlist: Sicut Cervus, Ave Maria, Justorum Animae, Jesu Rex admirabilis, Exultate Deo, Exultate Justi, Jesu, Dulcis Memoria, Ave Verum Corpus, Psalm 90, Psalm 96, Hodie Christus Natus, O Maria Virgo Pia, Tu Pauperum Refugium, O Sacrum Convivium, If Ye Love Me, Keep My Commandments, Hosanna to the Son of David, O Quam Goriosum, Selig sind die Toten, Heu Nos Miseros, Exaltabo Te, O Sing Joyfully, O Magnum Mysterium, Laudate Nomen, Cantate Domino
Review: Voices of Ascension evolved from a 1989 concert series of Church of the Ascension in NYC, when Dennis Keene directed the Ascension choir in a major music festival, "Tribute to Durufle," a retrospective of the French composer that drew international attention. The following year the group incorporated separately from the church as Voices of Ascension. The number of singers in the professional ensemble varies from 20 to 40, among the finest and most skilled ensemble singers and soloists in the country. Metropolitan Opera star Hei-Kyung Hong blesses the VOA with a lyric soprano voice of uncommon beauty and warmth. 15 selections; right from the beginning Randall Thompson's soaring a cappella "Alleluia" and Mozart's "Laudate Dominum" show off the amazing soprano voice of Hei-Kyung Hong. Two by Pablo Casals, "Tota Pulchra" and "Nigra Sum," Felix Mendelsson's "Hear My Prayer" and Durufle's "Tu es Petrus" make it abundantly clear that we are in the presence of greatness. Nicolai Tolstiakov's "Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)," Tchaikovsky's "Bazheni, yazhe izbral (How blessed are they)," Charles Villiers Stanford's "Beati quorum via" and the final cut, Mendelssohn's "Happy and blessed are they" leave us in stunned silence after listening to the angels. Some organ accompaniment. Amazing!
Songlist: And I Saw a New Heaven, Alleluia, Laudate Dominum, Tota Pulchra, Nigra Sum, Hear My Prayer, I was glad when they said unto me, Tu es Petrus, Panis angelicus, Like as the Hart, Blagoslovi dushe moya, Ghospoda (Bless the Lord, O My Soul), Blazheni, yazhe izbral (How blessed are they), Pieta, Signore, Beati quorum via, Happy and blessed are they
Review: One of the finest (and most prolific) mixed choirs recording sacred music we have heard, NYC's exquisite Voices of Ascension turns their attention to Giovanni Pierluigi de Palestrina, the most famous Italian composer of his day. Laid to rest in one of the side chapels of St. Peter's in Rome at his death in 1594, the plaque on his coffin is inscribed "Prince of Music." Included here are the 6-part "Missa Papae Marcelli" and the 7th part, "Agnus Dei II," 8 "Motets and Offertories," and bonus tracks "Alma Redemptoris Mater," "Sicut cervus" and its second part, "Sitivit anima mea." The music is all a cappella, and to listen to any random movement, such as "Credo," "Sanctus," "Tue es Petrus" or "Peccantem me quotidie" is to hear the songs of angels, some of the most beautiful a cappella music ever written!
Songlist: Missa Papae Marcelli ~ Kyrie eleison, Gloria, Credo, Sanctus, Benedictus, Angus Dei I, Secundum multitudinem, Tu es Petrus, Dum complerentur, O Domine Jesu Christe, Super flumina Babilonis, Canite tuba, Rorate coeli, Peccantem me quotidie, Agnus Dei II, Alma Redemptoris Mater, Sicut cervus, Sitivit anima mea
Review: With this recording New York City's Voices of Ascension and Conductor Keene celebrate the 900th birthday of one of the most remarkable creative spirits of the Middle Ages, the Abbess Hildegard of Bingen (1098-1179). Although some musicians embellish Hildegard's single line chants with additional parts, the Voices of Ascension's approach is to present the inspired poetry and music of this mystic visionary "pure," without any contemporary additions. We are hearing, in these 14 haunting pieces, the Women of the Voices of Ascension, a mixed-voice choir on all their other excellent recordings. Soloists Kathy Theil, Michele Eaton, Alexandra Montano and Allessandra Visconti are particularly wonderful on cuts like "O virga ac diadema," "Vos Flores Rosarum," "Et Ideo," "O Pastor animarum,""Caritas Abundat," "Ave, generosa" and "O Jerusalem, aurea civitatus." All beautiful, soaring a cappella. This is simple, powerful music that touches and speaks to us across more than 8 centuries, in a way that its composer could never have imagined.
Songlist: O virga ac diadema, O viridissima virga, Vos Flores Rosarum, O Ecclesia, Columba aspexit, Et Ideo, O Euchari columba, O Pastor animarum, O clarissima mater, Caritas Abundat, O presul vere civitatis, Ave, generosa, Unde Quocumque, O lerusalem, aurea civitatis
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