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Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross- relations, and vivid word-painting. The synthesis is remarkably compelling.
Songbooks, Arrangements and/or Media
Displaying 1-7 of 7 items.
Clifford Bartlett : Madrigals and Partsongs This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case. Songlist: Dindirin, dindirin, Il bianco e dolce cigno, Of all the birds that I do know, All creatures now, Nachtwache No. 1, The Evening Primrose, Never weather-beaten sail, So weich und warm, Trois chansons de Charles d'Orleans, To be sung of a summer night on the water, Come, heavy sleep, Can she excuse my wrongs, Weep You No More, Sad Fountains, As torrents in summer, My love dwelt in a Northern land, There is sweet music, Fair Phyllis I saw sitting all alone, My spirit sang all day, Since first I saw your face, Lieto godea, Amor vittorioso, Ah, dear heart, The silver swan, What is our life?, Tanzen und springen, Ach, Weh des Leiden, Die Harmonie in der Ehe, Innsbruck, ich muss dich lassen, Farewell, dear love, Mille regrets, and more Rebecca Clarke : A Choral Collection Rebecca Clarke is considered by many commentators to be one of the most important British composers in the interwar period and has been described as the most distinguished British female composer of her generation. Best known for her chamber music featuring the viola she also composed many choral pieces, a great deal of which were never published. Thanks to the recent efforts of The Rebecca Clarke Society, based out of the Women's Studies Research Center at Brandeis University, there is a renewed interest in her work. This is a collection of newly published arrangements for unaccompanied mixed chorus that clearly demonstrate why her work was recognized for its compositional skill. Songlist: Come, Oh Come, My Life's Delight, A Lover's Dirge, Music, When Soft Voices Die, My Spirit Like A Charmed Bark Doth Float, Philomela, Weep You No More, Sad Fountains, When Cats Run Home and Light is Come Russell Robinson : Renaissance Chorals for Mixed Voices Some choral classics from the Renaissance period. First published in 1603, the quintessential John Dowland madrigal "Weep You No More Sad Fountains" has been newly edited by Russell Robinson. SATB and 3-part mixed choirs will enjoy the lush texture and rich harmonic structure, which exemplifies music of the Renaissance era, and appreciate the high quality of Dr. Robinson's tidy edition. Solid choral repertoire. Long a standard in the choral repertoire, Palestrina's "Adoramus Te" continues to be a favorite for contest or festival. Range is excellent for the SATB junior high choir. Sixteenth century Italian composer Adriano Banchieri must have had quite the sense of humor. The classic light-hearted concert work "Counterpoint Of The Animals" has been a staple in choral repertoire for decades. Now Russell Robinson brings us a new setting that will add a touch of classy fun to any serious concert. Glorious polyphony soars in this edition of Victoria's "O Magnum Mysterium". Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use. Songlist: Two Renaissance Chorals (Adoramus Te / Ave Maria), O Magnum Mysterium, Fa Una Canzona, Counterpoint of the Animals, Weep You No More, Sad Fountains, Adoramus Te Steven Stolen (editor) : English Songs: Renaissance to Baroque Compiled and edited by Steven Stolen and Richard Walters, this collection has been specifically compiled to be extraordinarily useful to student singers. 17 composers are represented with historical information and 34 songs. Songlist: Diaphenia, Come And Trip It (Handel), Here Amid the Shady Woods (Handel), My Lovely Celia (Monro), O Come, O Come, My Dearest (Arne), It Was A Lover And His Lass, Hark! The Echoing Air, Since First I Saw Your Face, Thou Soft Flowing Avon, Whither Runneth My Sweetheart?, Tell Me No More, Fair, If You Expect Admiring, Jack And Joan, Flow My Tears, Weep You No More, Sad Fountains, Let Me Wander Not Unseen, Fain Would I Change That Note, As I Walked Forth One Summer Day, In Sherwood Lived Stout Robin Hood, Rest Sweet Nymphs, I Attempt From Love's Sickness To Fly, If Music Be The Food Of Love, When Laura Smiles, Where E'er You Walk (Handel), Willow Song (Anon 17th C), When Daisies Pied (Arne), How Happy Art Thou (Lawes), Nymphs and Shepherds (Purcell), Blow, Blow, Thou Winter Wind (Arne), The Silver Swan, and more Steven Stolen (editor) : English Songs: Renaissance to Baroque Compiled and edited by Steven Stolen and Richard Walters, this collection has been specifically compiled to be extraordinarily useful to student singers. 17 composers are represented with historical information and 34 songs. Songlist: Diaphenia, Come And Trip It (Handel), Here Amid the Shady Woods (Handel), My Lovely Celia (Monro), O Come, O Come, My Dearest (Arne), It Was A Lover And His Lass, Hark! The Echoing Air, Since First I Saw Your Face, Thou Soft Flowing Avon, Whither Runneth My Sweetheart?, Tell Me No More, Fair, If You Expect Admiring, Jack And Joan, Flow My Tears, Weep You No More, Sad Fountains, Let Me Wander Not Unseen, Fain Would I Change That Note, As I Walked Forth One Summer Day, In Sherwood Lived Stout Robin Hood, Rest Sweet Nymphs, I Attempt From Love's Sickness To Fly, If Music Be The Food Of Love, When Laura Smiles, Where E'er You Walk (Handel), Willow Song (Anon 17th C), When Daisies Pied (Arne), How Happy Art Thou (Lawes), Nymphs and Shepherds (Purcell), Blow, Blow, Thou Winter Wind (Arne), The Silver Swan, and more Steven Stolen and Richard Walters : English Songs - Renaissance to Baroque - High Voice An excellent collection of 34 songs, especially useful in teaching students. This collection is a good alternative or companion to the standard Baroque Italian songs and arias. Now with recorded accompaniments on included CD by pianist Laura Ward. Songlist: Have You Seen But a White Lily Grow?, Pastime With Good Company, Willow Song, Blow, Blow, Thou Winter Wind, O Come, O Come, My Dearest, Thou Soft Flowing Avon, When Daisies Pied, Whither Runneth My Sweetheart, Tell Me No More, Fair, If You Expect Admiring, Jack and Joan, Flow My Tears, Weep You No More, Sad Fountains, What If I Never Speed?, Since First I Saw Your Face, The Silver Swan, Come and Trip It, Here Amid the Shady Woods, Let Me Wander Not Unseen, Where E'er You Walk, Fain Would I Change That Note, As I Walked Forth One Summer Day, In Sherwood Lived Stout Robin Hood, How Happy Art Thou, It Was a Lover and His Lass, My Lovely Celia, Diaphenia, Rest Sweet Nymphs, Hark! The Echoing Air, I Attempt from Love's Sickness, and more Steven Stolen and Richard Walters : English Songs - Renaissance to Baroque (Low Voice) An excellent collection of 34 songs, especially useful in teaching students. This collection is a good alternative or companion to the standard Baroque Italian songs and arias. Now with recorded accompaniments on included CD by pianist Laura Ward. Songlist: Have You Seen But a White Lily Grow?, Pastime With Good Company, Willow Song, Blow, Blow, Thou Winter Wind, O Come, O Come, My Dearest, Thou Soft Flowing Avon, When Daisies Pied, Whither Runneth My Sweetheart, Tell Me No More, Fair, If You Expect Admiring, Jack and Joan, Flow My Tears, Weep You No More, Sad Fountains, What If I Never Speed?, Since First I Saw Your Face, The Silver Swan, Come and Trip It, Here Amid the Shady Woods, Let Me Wander Not Unseen, Where E'er You Walk, Fain Would I Change That Note, As I Walked Forth One Summer Day, In Sherwood Lived Stout Robin Hood, How Happy Art Thou, It Was a Lover and His Lass, My Lovely Celia, Diaphenia, Rest Sweet Nymphs, Hark! The Echoing Air, I Attempt from Love's Sickness, and more |
Displaying 1-2 of 2 items.
Weep you no more,sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross- relations, and vivid word-painting. The synthesis is remarkably compelling.
Arranger: Rebecca Clarke
First published in 1603, this quintessential John Dowland madrigal has been newly edited by Russell Robinson. SATB and 3-part mixed choirs will enjoy the lush texture and rich harmonic structure, which exemplifies music of the Renaissance era, and appreciate the high quality of Dr. Robinson's tidy edition. Solid choral repertoire.
Arranger: Russell Robinson | Composer: John Dowland
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