The first two South African Folk Songs are in Shangani. The first seems to be in recognition of the arrival of the first white settlers off the west coast of Africa, ostensibly in the 17th century. The second, Tulan, Nimamele!, speaks for itself. They are both best done in a strong, boisterous fashion. Freedom Come is The closing movement of Bandari: Inside These Walls, a five-movement work encompassing a variety of African styles and combining Swahili and English texts. Freedom Come is written in the style of a South African freedom song; it creates an atmosphere in which hope can increase, healing can occur, and connections to our common humanity can be strengthened.

Songlist: Two South African Folk Songs, Kpanlongo, Freedom Come, Keep quiet and listen, See, coming at a distance, the German ship

This eclectic collection contains six diverse gems for female singers. "Freedom Come"is in the style of a South African freedom song: creating an atmosphere in which hope can increase, healing can occur, and connections to our common humanity can be strengthened. "Waly, Waly" is a masterful setting of a well-loved, Scottish ballad that is rich in harmonic texture. "Poor Wayfaring Stranger" is a beautiful arrangement of an American folk hymn written for the Brigham Young University Women's Chorus. "Melodijas" is a Latvian text by J. Sudrabkalns wherein musical concepts become metaphors for the complexities of life. Peteris Barisons's arrangement enhances the meaning of the text while simultaneously evoking rich, warm tone and expressive delivery. "Sulle Mulle" features Barbershop-style singing, composed by Alo Ritsing, esteemed teacher, composer and conductor at the Heino Eller Music School in Estonia. Finally, "Wana Baraka" is a popular, religious Kenyan song, arranged by Shawn Kirchner to express the quality of joy and improvisation that comes with spontaneous music-making.

Songlist: Freedom Come, Waly, Waly, Poor Wayfaring Stranger, Melodijas, Wana Baraka