"A Holiday Madrigal" - This merry madrigal will be a nice addition to your women's choir's a cappella seasonal repertoire. Characteristic counterpoint makes this original Donald Moore piece a familiar form but, unlike many Renaissance chorals, the vocal ranges, subject matter, and number of voice parts have been specifically designed for developing choirs. A festive feature for holiday concerts and Madrigal feasts. "A Joyful Madrigal" - Here's a new work by Donald Moore in madrigal style that's appropriate for general or Christmas use. Dynamic changes create interest; repetition makes for quick learning. Perfect when you need just one more piece for your Christmas or Spring concert. Lots of optional notes and is an outstanding learning piece for young and developing choirs. "A Merry Madrigal" - A "fa la la" section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent vocal lines easy to learn. Don Moore is a master at creating works that develop choral singing, teach a classic choral style and, most importantly, sound great. Use it in concerts and at festivals and adjudications. Develop your choir's a cappella skills with the straightforward original madrigal "Alleluia Madrigal" by Donald Moore. Traditional harmonies, modest ranges, and lots of repetition make it a quick-learn piece. Contrasting dynamics and a lilting three-four meter create a joyful song that is good for Christmas or general use.

Songlist: A Holiday Madrigal, A Joyful Madrigal, A Merry Madrigal, Alleluia Madrigal

Develop your choir's a cappella skills with "Alleluia Madrigal", a straightforward original madrigal by Donald Moore. Traditional harmonies, modest ranges, and lots of repetition make it a quick-learn piece. Contrasting dynamics and a lilting three-four meter create a joyful song that is good for Christmas or general use. "What'cha Gonna Bring For Christmas?" - Feature your best solo crooner(s) on this '50s inspired a cappella chorus that begs Santa for a timeless teen wish: "Won't you bring me someone to love?" The choir serves equally as the featured act (of the chorus and bridge) and the backup singers (for two dreamy verses). The final falsetto phrases and 7th chord cadence deliver a sweet doo-wop ending. "Christmas Eve Is Here" - A fresh approach to this early French carol. Polyphony resounds as sections of the choir perform unique and overlapping lines in a minor mode. Performance options include any combination of a cappella choir, handbells or tonechimes, piano, hand drum, and tambourine. Impressive. "Come, See The Baby" is a new, original Christmas spiritual by Jay Althouse. This full-sounding work features much three-part singing over a solid, traditional bass part, as well as an echo section between the women and the men. Sudden dynamic changes are powerful and effective (and simple to sing).

Songlist: Come, See the Baby, What'cha Gonna Bring For Christmas?, Christmas Eve Is Here, Noel, Noel!, Look Up, Children, Alleluia Madrigal, Come, See the Baby, Carol of the Drum