Ruth Morris Gray's ability to use voices to elevate and enhance the meaning of a text is masterful. Based on the poetry of Edgar Allan Poe, this beautiful choral work features an elegant melody supported by a hauntingly expressive piano accompaniment. Equally well-suited for concert or contest programs, this stunning piece encourages top-tier musicality. Now available for S.A.T.B.

Arranger: Ruth Morris Gray

Here's a wildly inventive reimagining of the traditional English carol that will be a highlight on holiday concerts. The dazzling piano introduction ushers in a rush of crystal-clear chords in bright contemporary harmony, while frequent shifts of meter and style conjure an assortment of moods, from celebratory to reflective. A stunning concert setting that is worth the extra rehearsal.

Arranger: Chad Weirick

Instantly recognizable as probably the most well-known Korean folk songs known in this country, this setting by Robert DeCormier is exceptionally beautiful! Very haunting! This title is available in Music Prodigy.

Arranger: Robert DeCormier

Originally released in the 1940s, this strong message of justice and unity continues to speak to the hearts and minds of those who hear it. Recorded by a variety of artists including The Weavers, and Peter, Paul, and Mary, this arrangement includes an additional verse written by Pete Seeger.

Arranger: Robert DeCormier | Composer: Johann Sebastian Bach

This truly unique setting of the traditional English carol pairs an a cappella choir with a single instrument. Singers will be awestruck by a harmonic structure that supports and intensifies the beloved 16th century melody. Listeners will be captivated by an emotional journey from lullaby to battle cry and back again. The pivotal obbligato adds a sorrowful overtone and may be played on oboe or any C-instrument. A dramatic setting of great depth.

Arranger: Mark Burrows

African-American poet Paul Laurence Dunbar's text becomes a tender lullaby in this lush a cappella setting by Jonny Priano. Long, rising melodic phrases blossom into gentle cluster chords, evoking a sense of love and peace. A beautifully crafted canvas for musical expression.

Composer: Jonny Priano

Sixteenth-century playwright and poet Ben Jonson wrote the text to this nativity hymn. This original a cappella setting begins with an expressive solo, then gives both the women's and men's voices a standalone feature verse before combining the choir in resonant contemporary harmony. Artistic repertoire for Christmas.

Arranger: Andrew Bruhn

"One song can spark a moment, one breath can wake the dream." This introspective original is based on an unattributed poem that illustrates the impact a small moment can have in our lives. Traditional homophonic writing soon expands to a bevy of swirling choral textures and a dreamy chorus that floats the central motive over a wave of vocal layers. It's a remarkable contemporary a cappella effect and a fitting treatment for these words of worth.

Composer: Andrew Bruhn

Robert Shaw's timeless edition of this Mozart work should be in every choir folder. Refresh your library and your next concert or festival by performing this wonderful edition. English text by Alice Parker

Composer: Wolfgang Amadeus Mozart

Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.

Arranger: Raul Dominguez

A artful text by poet Walter de la Mare is beautifully set by contemporary composer Bruce Tippette. Showcasing the power of music to ease burdens and still sorrows, this sweeping selection presents a full range of dynamics, textures, and harmonies. A fine addition to any concert program.

Arranger: Bruce W. Tippette | Composer: Walter de la Mare

Originally published in The Social Harp in 1855, this revivalist song has become deeply woven into the American folk music tradition. A powerful and insistent rhythmic foundation is laid by the low voices, as the agile melody darts over top. A slower middle section offers some warm homophonic harmony in a setting that is largely polyphonic. The dance returns and builds to a dazzling and multitextured finish. Exquisite!

Arranger: Jay Althouse