In Celebration of the Human Voice - The Essential Musical Instrument
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Displaying 1-11 of 11 items.
With a simple melody inspired by children's songs, All That Could Never Be Said is a setting of Sara Teasdale's poem In the End. Showcasing her signature pairing of nihilism and pastoral beauty, the poem is an exploration of regret: it suggests that the consequences of our inaction are final and absolute. There are no second chances to speak up or to act, and all our missed opportunities will be lost to us until we're reunited with them in death.
Arranger: Christopher Tin | Composer: Sara Teasdale | Poetry By: Sara Teasdale
Distinctive text about love from Sara Teasdale with lush harmonic writing juxtaposed with athletic melodic lines and dynamic dissonant clusters. An excellent choice for concert or festival opener or closer.
Composer: Mark Hayes
From the 2003 Disney movie Brother Bear, this song with words and music by Phil Collins speaks to the importance of friendship. When a friend is in need, there are no better words to hear than, I'm on my way. This new arrangement by Jim Clements can be heard on the new King's Singers recording of Disney songs When You Wish Upon A Star.
Arranger: Jim Clements Performed By: Phil Collins | Musical: Brother Bear
Charles Anthony Silvestri's lyrics beautifully capture the sights, sounds, and events that stir up memories of a loved one who has passed away. A passion for nature is also reflected in the lyrics and further brought to life through an abundance of text painting in the music. I know you are gone, but your voice, it lingers on.
Composer: James Eakin
What a powerful juxtaposition of two iconic African American spirituals: Wayfaring Stranger and I Want Jesus to Walk with Me. I am a stranger in a strange land...how long must we cry out? This impactful work is simultaneously a cry of lament, a song of personal invitation, and a statement of assurance. Echos of past and current hardship (slavery, immigration, pandemic, injustice, isolation) are voiced by choir and soloists throughout this compelling piece and allow multiple perspectives into the text. A journey of sorrow and hope--worthy of the finest choirs.
Composer: Kyle Pederson
From the hit animated movie Coco, this song is described by the writers as the tie that binds multiple generations in the shared love of music. Featured on the new King's Singers' recording of Disney songs, this beautiful lullaby, sung in both Spanish and English, is breathtaking.
Arranger: Jim Clements | Composer: Robert Lopez | Musical: Coco
The Saddest Noise is a setting of Emily Dickinson's poem The Saddest Noise, the Sweetest Noise. It begins the story of The Lost Birds in spring: the season of birth and renewal, and a time of year when bird songs flood the skies. But what is ordinarily a joyous sound is now riddled with sorrow, as the songs of the remaining birds remind us of the ones we've already lost.
Arranger: Christopher Tin | Composer: Emily Dickinson | Poetry By: Emily Dickinson
A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.
Composer: Greg Gilpin
Now available for SATB divisi. Originally published for 4-part treble choir, this beautiful song from Toy Story 2 packs a real emotional wallop. Sung by Sara McLachlan in the film, this new arrangement for mixed voices can be heard on the new recording of Disney songs by The King's Singers titled When You Wish Upon A Star.
Arranger: Philip Lawson | Composer: Randy Newman Performed By: Sara Mclachlan | Musical: Toy Story 2
Wild Swans, a setting of a poem by Edna St. Vincent Millay, ends the first half of The Lost Birds. Told from the point of view of the poet, it starts with the sound of bird cries: gradually approaching from a distance, until they pass overhead, triggering feelings of longing. After an instrumental interlude, and the narrator's impassioned declaration of freedom, the song ends as it started--with the cries of wild swans receding into the distance, foreshadowing their demise.
Arranger: Christopher Tin | Composer: Edna St. Vincent Millay
From the Disney movie Moana, this upbeat song in 12/8 is energetic, clever, and especially virtuosic. This song may come from a kids' movie, but this arrangement is not for kids. Even the very best choirs will find this a cappella arrangement most worthy of their attention!
Arranger: Toby Young | Composer: Lin-Manuel Miranda | Musical: Moana
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