Thomas Hemsley: Singing & Imagination

Readiness to Sing: The Raw Material Posture Impulse, Intention, and the anacrusis Colour The importance of Good Diction The Singer's Ear The Pitch-Intensity Effect Breath The Work of the Imagination: The Study of Vocal Music Legato and Tessitura Pulse

This book is written on the belief that the essential basic principles underlying good singing are in themselves rather few, and very simple, but that their application is amazingly varied in light of the individual's needs. It is not intended as a manual of voice production, and does not concern itself with medical matters, nor directly with anatomy, physiology, and acoustics. While not belittling the value of appropriate scientific investigation, Thomas Hemsley believes that modern methods of training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, and the intuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - "not only a language through which we understand the emotions of others, but also a means of exciting our sympathy with such emotions," (H. Spencer). This book can be seen as an attempt to redress the balance. Comprehensive and engagingly written this neccessary and welcome book will be a gift for singers and teachers of singing, as well as the general music-loving public.

Music is the universal language, reaching all races and all ages. Now you can enhance this universal language with the beautiful gestures of sign language. With Sign Language for Singers, you will learn over 160 beautiful movements most commonly used by singers. The gestures are alphabetized for ease of use, with easy-to-follow definitions and demonstration photos for further visual reference. The DVD features John Jacobson demonstrating each gesture and with the DVD submenus, you can go directly to the move you desire. Also included are 10 featured songs with John performing the sign language, so you can see first-hand how these beautiful hand movements add meaning and depth to any musical performance. Add another dimension to your performances by incorporating the beautiful art of sign language into your movements with Sign Language for Singers.

Four Parts, No Waiting investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. Starting with a discussion of the first craze for Austrian four-part close harmony in the 1830s, Averill traces the popularity of this musical form in minstrel shows, black recreational singing, vaudeville, early recordings, and in the barbershop revival of the 1930s. In his exploration of barbershop, Averill uncovers a rich musical tradition--a hybrid of black and white cultural forms, practiced by amateurs, and part of a mythologized vision of small-town American life. Barbershop harmony played a central -- and overlooked -- role in the panorama of American music. Averill demonstrates that the barbershop revival was part of a depression-era neo-Victorian revival, spurred on by insecurities of economic and social change. Contemporary barbershop singing turns this nostalgic vision into lived experience. Arguing that the "old songs" function as repositories of idealized social memory, Averill reveals ideologies of gender, race, and class. This engagingly-written, often funny book critiques the nostalgic myths (especially racial myths) that have surrounded the barbershop revival, but also celebrates the civic-minded, participatory spirit of barbershop harmony. The text is accompanied by an audio CD.