With passages from Psalm 90 and 91 and the recurring motive Lauda, Laud?, this piece grows from the quiet first light of day to a magnificent triumph. Dark images fall away in the light of a new world with no fear, no foe, no harm, no shame, no death. Moving and masterful.

This work is set to a stunning love poem, which translates to "You are the Love of my Soul". It was written in the early 1500s by Spanish author Garcilaso de la Vega. It may be performed with or without the accompaniment. For advanced high school or college. Moderately difficult.ÊJo-Michael Scheibe Choral Series.

This profound work sets a stunning 16th century love poem by Garcilaso de la Vega. The rich harmonic language and lucid vocal lines are both expressive and masterfully written without excessive demands in range or vocal color. Can be performed with or without the piano accompaniment. In Spanish. Available for SATB divisi and TTBB.ÊJo-Michael Scheibe Choral Series.

Solomon's temple was arguably the most magnificent structure ever built in the history of human kind. This anthem invites listeners to come and dwell in a place where wisdom, righteousness, justice, and holiness join at the feet of God.

Settings of four poems by Garcilaso de la Vega: 1. En Tanto Que De Rosa y Asucena (As Long As Colors of the Rose and Lily); 2. Si Para Refrenar Este Deseo Loco (As If to Hold Back This Crazy Desire); 3. Hermosas Ninfas Que, En El Rio Metidas (Beautiful Nymphs Who Are in the River); 4. Amor De Mi Alma (You Are the Lover of My Soul)

Country: Spain

Lyrical and expressive, this work mixes several key words in Gaelic with the English text, which is then coupled with straightforward, but beautiful melodic and inner lines. A sincerely moving work.

A beautifully crafted setting of a 16th century sonnet by the poet of "Amor De Mi Alma."Ê With accessible range and vocal demand, this work will be another favorite for high school level choir and beyond. Also included in the Four Spanish Sonnets collection. Duration: ca. 3:30.

Composer/conductor Z. Randall Stroope has taken this very successful three-movement work for mixed chorus and brass which he published several years ago, and wrote a new first movement, mostly new third movement, and re-orchestrated it in a colorful 16-minute display of choral/instrumental color.ÿ Calls for 4 trumpets, 3 trombones, tuba, timpani, perc (1), organ and optional treble choir.ÿ Makes a great centerpiece of a concert at advent or any other time of year.

Another masterful work from Z. Randall Stroope! A lush, deeply emotive setting of Sara Teasdale's achingly beautiful poem results in another concert stunner whose musical power belies the accessibility of the vocal lines in all parts. Truly magnificent!ÊJo-Michael Scheibe Choral Series.

Poetry By: Sara Teasdale

Northwest Passage is a set of "poetic landscapes" that reflects on three elements of the great Northwest of the United States-rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies-each distinct, but part of one vast expanse.

The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent ("organic") approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.

1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, c

Richly melodic and flowing, O Notte brings the poetry of Michelangelo and Ruckert to life. "O night...you are longing and what stills it." The text makes this a good choice for a concert closer, and the accessible ranges, supportive accompaniment, and artistry of the vocal writing lend this work to high school, university, and community choirs.Recording Choir: Oklahoma State University Chorale; Z. Randall Stroope, conductor

A declamatory, fanfare-laden"big Easter" piece from this fine composer would be enough of a treat, but then add a creative text which includes images from the Old Testament to show the scope of God's entire plan from the beginning of time. A most unique and stirring Easter celebration.

Based on a Czech text, here is one of Z. Randall Stroope's most impressive settings, utilizing a vast palette of colors. With an English singing text, this work is highly suitable for mature high school choirs and beyond. An excellent festival or center piece selection for any program! Available separately: SATB divisi, SSAA. Duration: ca. 5:20.

Following last season's well-received mixed choir setting, this new treble version adds a new palette of colors to this masterful work. An excellent centerpiece for any program or festival! Available separately: SATB divisi, SSAA. Duration: 5:20.

Uses: Concert A choral tapestry of deep beauty and meaning brings to life the text of James Agee. Performed by the University of Nebraska Concert Choir.

This anthem, based on a moving text by Robert Herrick, epitomizes the whole of the Christian faith- that no amount of personal wealth or riches can buy favor with the creator of the universe. Faith is the key, and the key to faith is the ?heart?. The Best of Rooms musically sustains that quiet inner confidence and commitment to faith, and rejoices in the life here and beyond.

George Herbert, a 17th century university scholar and church leader, wrote "The Call" as a text of praise and acknowledgement of the joy and steadfastness of faith. With this anthem, the composer preserves the inherent simplicity of the text, while acknowledging the power of a life that follows "The Call."

Vivid images of the biblical stories of David form the basis for this original text. The text is matched by strong melodic and choral writing. Appropriate for many times during the Church year.
(Trumpets, Horn, Trombone, Tuba, Percussion) or optional Chamber Orchestra
(Flute, Oboe, Clarinet, Horn, Two Trumpets, Trombone, Percussion)

Psalm 104 serves as the text for this majestic and triumphant festival anthem. The optional brass quintet adds brilliance to the performance, but the piece can also be performed without the brass. The text makes this work usable for Transfiguration, Pentecost, and several other Sundays.

A dramatic setting that, while accessible, requires a mature performance of this beautiful work. The poem, central to this composition, tells about a man with little hope for a good life, longing for love and togetherness. A selection that will stand out in your program. Duration: ca. 4:50.

A challenging, collegiate level setting of John 1:14 and Isaiah 9:2. The piece combines Latin and English texts and creates a particularly mysterious and moving experience.

A text from Isaiah 30 which expresses that belief that those with a"gladness of heart" shall have a song. The imagery of the text is well-matched with the music provided by this esteemed composer.