In Celebration of the Human Voice - The Essential Musical Instrument
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William Byrd (1540? - July 4, 1623) was the most celebrated of early English composers. His entire life was marked by contradictions; as a true Renaissance man, he did not fit easily into categories. He lived well into the seventeenth century without writing songs in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Although he was nominally an Anglican court composer for much of his life, he spent his last years composing for the Roman liturgy, and died in relative obscurity. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, some of his music was banned in England under penalty of imprisonment; some of it-such as the Short Service-has been sung in English cathedrals uninterrupted for the past four centuries. |
Songbooks, Arrangements and/or Media
Displaying 1-6 of 6 items.
Philippe de Monte and William Byrd : Super flumina Babylonis and Quomodo Cantabimus Phillipe de Monte wrote Super flumina Babylonis (By the streams of Babylon, there we sat and wept) and sent it to William Byrd who responded by setting the subsequent verses of the psalm text Quomodo Cantabimus (How shall we sing the Lord's song in a foreign land). This edition allows these wonderful pieces to be sung as a unit or separately. Songlist: Super flumina Babylonis, Quomodo Cantabimus William Byrd : Five Sacred Choral Works William Byrd (c.1540-1623) is one of the giants of the English Renaissance, composing sacred polyphony for both Anglican and Catholic rites. This collection provides well-edited, clean editions at an excellent value, and includes: Exsurge, Domine; Haec Dies; Laudibus in sanctis; Praise Our Lord, All Ye Gentiles; Sing Joyfully. Songlist: Sing Joyfully, Exsurge, Domine, Haec, Dies, Laudibus In Sanctis, Praise Our Lord, All Ye Gentiles William Byrd : Collection Vol 1 The greatest English composer of his generation, comparable in stature to his most distinguished continental contemporaries, William Byrd was a versatile composer. Byrd's compositions for the church may be separated into those for the Catholic liturgy and those designed for the officially recognised Church of England. The first category includes settings of the Mass for three, four and five voices, and a large quantity of other works for the various seasons of the church year. Well-known for his keyboard works here are a collection of his a cappella arrangements that have has been sung in English cathedrals uninterrupted for the past four centuries. Songlist: Non Nobis Domine, Haec Dies, Justorum Animae, Laetentur Caeli William Byrd : Collection Vol 2 The greatest English composer of his generation, comparable in stature to his most distinguished continental contemporaries, William Byrd was a versatile composer. Byrd's compositions for the church may be separated into those for the Catholic liturgy and those designed for the officially recognised Church of England. The first category includes settings of the Mass for three, four and five voices, and a large quantity of other works for the various seasons of the church year. Well-known for his keyboard works here are a collection of his a cappella arrangements that have has been sung in English cathedrals uninterrupted for the past four centuries. For SATB choir. Songlist: O Magnum Mysterium, Prevent Us, O Lord, Rorate Caeli Desuper, Ave Verum Corpus, Exsurge Domine William Byrd : Four Motets for All Saints William Byrd's Mass Proper for the feast of All Saints is beautifully arranged for unaccompanied mixed voices by Sally Dunkly. Songlist: Mass Of Propers For The Feast Of Old Saints, Introit, Gradual & Alleluia, Offertory, Communion William Byrd : Mass for Four Voices This publication of William Byrd's Mass for Four Voices by Dean Witte expands on Henry Washington's celebrated 1959 performer's edition. It features judiciously updated notation and text underlay that helps clarify many matters of interpretation and also conforms with more recent practices in editing early music. This edition otherwise preserves the essential practical focus introduced by Washington, including the step-downward transposition of the music. |
Displaying 1-11 of 11 items.
This timeless Byrd motet removes the modern barlines that obscure the natural stress of the text. Extensive notes and a word-for-word translation are provided. A great tool for teaching Renaissance style, as well as simply being a piece every choir should know!Ê
Anthem, taking words translated from the Proper of the Sunday after Ascension, for SSATB Choir and Organ ad lib. Edited by William McKie.
The famous canon by William Byrd offers treble and mixed choirs an opportunity to develop many of the choral skills necessary for more advanced works. Available: 2-Part/3-Part any combination a capella. Performance Time: Approx. 2:10.
Arranger: John Leavitt
Motet, scored for SATB Choir, for Christmas and the Circumcision. Edited by H.B. Collins.
Full anthem for six voices (SSATTB). Edited by George J. Bennett.
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