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Stephen Chatman C.M., D.M.A., one of Canada's most prominent composers, is Professor of Composition at the University of British Columbia School of Music. He has received many commissions and composition awards, including 2005, 2006 and 2010 Western Canadian Music Awards "Classical Composition of the Year", 2010 and 2012 SOCAN Jan V. Matejcek New Classical Music Award, three BMI Awards (New York), multiple JUNO nominations, Dorothy Somerset Award, Charles Ives Scholarship from the American Academy of Arts and Letters, and the 2001 BBC Masterprize short-list. In 2012, Dr. Chatman was appointed to the Order of Canada. More than 100 of his works, published by E.C. Schirmer, Oxford University Press, Boosey & Hawkes, earthsongs, Frederick Harris, Dorn, Berandol, and T. Presser, have sold 500,000 printed copies. |
Songbooks, Arrangements and/or Media
Displaying 1-6 of 6 items.
Stephen Chatman : Five Love Songs for High Baritone Voice and Piano Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30 Songlist: Excuse Me, Something like that, Not that kind of song, Dream Girl, Dating is a sport, Hanky-panky, My Love, Mr. Smooth Stephen Chatman : Due East (Complete Collection) Due East is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West. Duration: 7 min Songlist: Due East: 1. Nor'easter, Due East: 2. Minke Whale, Due East: 3. Farewell Nancy, Due East: 4. Fishing Stephen Chatman : Due North (Complete Collection) Due North is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West. Songlist: Due North: 1. Mountains, Due North: 2. Trees, Due North: 3. Woodpecker, Due North: 4. Varied Thrushes, Due North: 5. Mosquitoes Stephen Chatman : Due South (Complete Collection) Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West. 1. Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices. 2. What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not downright sultry. 3. Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun. 4. Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to an over-arching soprano line with gentle undulations in the lower parts, and finishes with the choir singing together again, "Love shines on you, my only one." 5. A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to "My Old Kentucky Home," and then it's off to the races, literally. The text of the suite is declaimed rapidly in patter-song format, almost as if the chorus is calling race as it progresses. A tour de force, and truly, "..a wild ride!" Songlist: Due South: 5. Kentucky Derby, Due South: 1. Arise, Due South: 3. Bugs, Due South: 4. Love, O Love, Due South: 2. What's Cookin'? Stephen Chatman : Due West One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West. Songlist: Due West: 1. Train, Due West: 2. Prairie Lullaby, Due West: 3. Wasps, Due West: 4. Sunset, Due West: 5. Chickadee |
Displaying 1-50 of 101 items.
The seventh and final movment from A Song of Joys. The text is all about comradeship. The music is generally slow and legato, featuring mostly scaler melodic lines and lush harmonies. Duration: 3:30
This piece captures the happy frivolity of the merry month of May. With unflagging rhythms and driving vocal lines, treble choirs will enjoy the playfulness of this song.
The opening line of Sara Teasdale's poem, After Love, "There is no magic any more," establishes the theme of vanishing love. Stephen Chatman's setting of the poignant text, in the dark key of D flat major, emphasizes the natural rhythm of the words, mixed meters and irregular phrase lengths. The climax of the melody embraces sustained, intense vocal lines in contrary motion supported by an undulating piano accompaniment. One of a set of six of Teasdale's love songs. Duration: 1:45
Poetry By: Sara Teasdale
Text from Revelation 21:14. Commissioned by Maurice Case and premiered November 1, 2008 at Worthington United Methodist Church, Worthington, Ohio. Appr. 4'
The popular hymn (Slane), based on an 8th C. Irish text translated in 1905 by M. E. Byrne and versified in 1912 by Eleanor H. Hull, gets a new dressing by Canadian composer Stephen Chatman. Uses three of the four original stanzas.
Appropriate either as a processional or a concert piece, this song's texture builds and builds into beautiful imitative counterpoint. The final accelerando and crescendo of rising vocal lines reaches a high climactic chord, punctuated by metal wind chimes and a drum roll.
The rich, poignant combination of mixed chorus, violoncello, and harp strongly suggests a theme of love and romance. Stephen Chatman's evocative setting of Tara Wohlberg's intimate, mesmerizing text, whisper me, features a soft blend of instrumental timbres and a sustained, intricate counterpoint of voices. The initial polyphony contrasts the subsequent homophony, beginning with the words, "morning blossoms." The second setting, hush, hush, expresses a compelling universal human emotion: "the sunset of our love deep love." The predominant texture, which is a delicate balance of subdued vocal melodies, consistently high violoncello lines and flowing harp arpeggios, is interrupted by the recurring quiet refrain, "hush, hush." Duration: 5:10
A moving setting of this gripping and emotional text. In this setting the composer captures the solemnity of the text throughout the thoughtful choral writing.
This gentle piece about love and death features a grascious, evocative melodic line, and an expressive piano accompaniment. Duration: 1:50
Available in TTBB (the original,) SSAA and SATB voicings, the text is by Sara Teasdale. A not-quite-love-poem, the author longs to be "lost in you" but admits this is not yet the case, "I am not yours." SATB with soprano and baritone divisi on the last four notes, this a cappella gem is not difficult, although there are some harmonic forays that will be good practice in intonation for your singers.
Poetry By: Sara Teasdale
Commissioned by Christ Church Cathedral, Victoria, Michael Gormley, Director, I sing the birth is a gentle setting of words by Ben Jonson (1572-1637)."I sing the birth, was borne tonight, The author both of life and light; The angels so did sound it, And, like the ravished shepherds said, Who saw the light, and were afraid, Yet searched, and true they found it."
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