Our neighbours to the North in Vancouver have treated us to a highly accomplished collection of contemporary songs, of which seven are written by the group themselves. However, to classify the Euphorics as a contemporary group doesn't tell the whole story. In fact, their sound incorporates elements of so many styles, that the result is quite their own. "Tell Them Before It's Too Late" is a revival-style musical sermon that uses the stage as it's pulpit; likewise, "Standing Up For Love" features a soprano part that would do any Southern gospel soloist proud. The Euphorics interpretation of "Bohemian Rhapsody," which as any group of singers know, is a challenging arrangement to execute, ascends into the thrilling crescendo, followed by a freefall into a gutsy "guitar" breakdown. "Message in a Bottle" is uncannily reminescent of the original, given the quality of the tenor lead-it has that same relaxed intensity that Sting is known for. "You Can't Hold On" builds the tension in the verse with a luscious minor sixth chord, resolving to a sunny chorus. "Suite: Judy Blue Eyes" is one of the showpiece songs for any vocal group, and The Euphorics don't stray far from the CSN's trademark harmonies, though they do add a repeating bass motif for depth. An impressive opening move for the Euphorics.