Opera is part of the Western classical music tradition and to sing opera is one of the most challenging yet rewarding styles of singing one can perform. To be a true professional takes years of training and professional coaching however the amateur or aspiring singer who enjoys belting out an aria can learn a lot and have fun without dedicating one’s whole life. We offer here some books of advise from some of the most famous classical singers along with time-proved methods and exercises that have been helping to train classical voice for many years.
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Finding the Voice That Was Never Lost Language Learning The Brain in Singing Fear and the Psychology of Singing Putting Theory into Practice Strengthening the Diaphram Voiced Consonants Voiced Lip Trills Engaging the Singing Voice Vocal Integration Vibrato Hearing versus Feeling Strengthening the Voice Register Shifts Interpretation as a Vocal Tool Melodic Context Fine Tuning / Trouble Spots |
Jennifer Hamady has performed the world over with many of the top names in the music business. Also a voice coach to television actors, Broadway performers, and award-winning vocalists, she has written a ground-breaking book on singing and the psychology of performing that is a must-read for every artist working today. Using the medium of the voice, Jennifer shares her insights and experiences as a coach and a singers that will opern your eyes to how we all - musicians and non musicians alike - allow fear, doubt, preconceived notions, and overthinking to get in the way of clear, healthy, optimal singing - and living. The accompanying CD - in Jennifer's own voice - captures a conversation about her ideas and journey, as well as excercises that will help you discover and release your true and best instrument. Performers of all ages and abilities will gain valuable insight into the mechanics, psychology and physiology of singing.
| 5077 Book 19.95 |
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The Secrets to Beautiful Singing Breathing Resonance Registers Vowels and Timbre Legato Agility Recitatives and Cadenzas Voice Freedom Discovering Your Voice Releasing Your Creativity A Collection of Rare and Original Vocalises Introduction to the Vocalises Voice Types, Singing Roles, and Learning from the Best Introduction to the Voice Types The Professional Singer Preparing for a Role Voice Rescue A Career in Singing |
Achieving a successful singing career, especially in opera, can seem almost impossible to many singers because of fear of high notes, lack of projection, and confusion on how to express the music unhampered by technical preoccupation. Master Teacher and accomplished opera singer Lois Alba is aware of these pitfalls. She knows the best teaching involves an acute sense of the art form based on sound, intuition and imagery. The focus comes from the mind. It is interpreted through the ear and the body. When the body and mind come together harmoniously the result is beautiful sound.
In this clear and legible guide, Lois Alba shares her formidable experience, voice training insight, and philosophical wisdom about the creative nature of singing. She works to de-program the singer as to the many myths about singing û recurring themes that flood vocal studios and ultimately damage voices. Vocal Rescue is an amalgamation of many precepts from a large library of rare treatises and the concepts outlined come from the fine art of vocal mastery known as bel canto. The text provides a seven step system that demystifies the secrets to beautiful singing, and promises to take all singers to a new level of technical proficiency and expression. Recorded illustrations on CD/DVD demonstrate the vocal principles with lessons and vocalises for singers in all voice ranges to follow.
| 5290 Book 62.95 |
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Acknowledgements Preface What is Style? Components of Style Melody Harmony Rhythm Accompaniment Poets - Texts Secondary Factors of Style Components of Style Overlap Developing Style Sheets Creating Style Sheets for Single Songs Creating Style Sheets for Individual Composers Style Sheet Examples for Selected Composers Literature |
Carol Kimball's comprehensive survey of art song literature has been the principal one-volume American source on the topic. Now back in print after an absence of several years, this newly revised edition includes biographies and discussions of the work of 150 composers of various nationalities, as well as articles on styles of various schools of composition.
| 5110 Book 29.95 |
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List Of Illustrations Forewords by Bryn Terfel, James Morris & Sir Anthony Hopkins Acknowledgements Preface Anatomy and Physiology of the Vocal Mechanism Development of the Larynx and the Voice Age and Voice Attributes of a Good Vocal Performer General Considerations Before Performance Laryngeal Disorders: Diagnosis, Treatment and Prevention Anxiety, Artistic Temperament and the Voice Popular Music and the Musical Theatre Travel and the Vocal Performer Medications and the Professional Voice General Medical Considerations in the Vocal Performer A Visit to the Laryngologist Surgery and the Vocal Artist A Singer's Guide to Self-Diagnosis Suggested Reading Glossary Index |
Singer and actors are a unique group of performers, relying almost entirely on their voice for the professional livelihood. Jet lag, amplification, allergens, stress, pollution, and vocal strain all affect vocal performance. Written for the performer, the teacher, and the vocal coach, Care of the Professional Voice offers clear explanations and medical advice on vocal problems and vocal health. Care of the Professional Voice is written by experts in laryngology in the United States and Great Britain. This new edition includes a singer's guide to self-diagnosis. This volume should become a staple of every singer/actor's library."
- James Morris, Metropolitan Opera. "Anyone whose voice is their livelihood will welcome this succinct and user-friendly book." - Sir Anthony Hopkins
| 5282 Book 24.95 |
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Foreword by Nicola Rescigno Introduction Prologue The Classes Mozart: Don Giovanni Mozart: Cosi fan tutte Mozart: Die Zauerflote Beethoven: "Ah! Perfido" Beethoven: Fidelio Cherubini: Medea Spontini: La Vestale Rossini: Il Barbiere Di Siviglia Rossini: La Cenerentola Rossini: Gugielmo Tell Bellini: Il Pirata Bellini: La sonnambula Bellini: Norma Bellini: I puritani Donizetti: Lucia di Lammermoor Donizetti: Anna Bolena Donizetti: Don Pasquale Verdi: Nabucco Verdi: Ernani Verdi: La battaglia di Legnano Verdi: Rigoletto Verdi: Il Trovatore Verdi: La Traviata Verdi: I Vespri Sciliani Verdi: Simin Voccanegra Verdi: Un Ballo in Maschera Verdi: La Forza del Destino Verdi: Don Carlo Verdi: Aida Verdi: Otello Berlioz: La damnation de Faust Gounod: Faust Gounod: Romeo et Juliette Bizet: Carmen Massenet: Werther Ponchielli: La gioconda Boito: Mefisofele Leoncavallo: I Pagliacci Mascagni: Cavalleria rusticana Puccini: Manon Lescaut Puccini: La boheme Puccini: Tosca Puccini: Madama Butterfly Giordano: Andrea Chenier Cilea: Adriana Lecouvreur |
Maria Callas returned to the stage in 1971 to teach master classes at Juilliard. This intriguing forum later inspired Terrence McNally's acclaimed play Master Class. Outspoken and uncompromising in her artistic beliefs, Callas worked through her legendary arias from Mozart, Verdi, Rossini, Puccini, and others. John Ardoin brilliantly captures the insights of a thoughtful singer who reveals herself to be not the imperious diva of her reputation, but a supremely self-aware artist concerned with passing along a great musical tradition.
| 5535 Book 19.95 |
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Luisa Tetrazzini |
Non-technical advice to aspiring singers
from two of the greatest singers: care and training of the voice, tone
emission and attack, voice faults and more.
| 6536 Book 7.95 |
 | nrico Caruso, the Master of Natural Singing The Aim of This Book Who Will Read This Book? The Decadence of the Art of Singing and Its Causes; Its Restoration The Voice in Its Natural Production: New Principles on the Mechanism of Voice Production Some Suggestions for a Radical Reform in Voice Culture The Human Voice in Its Relationship to Science Brief Outline of the Anatomy of the Vocal Organs Seven Principles of Singing Caruso's Method of Singing as Explained by Himself The Radical Reform of Voice Culture Through the Speaking Voice The Voice in its Relationship to Music; the Importance of the Speaking Voice in Voice Culture Who Should Teach Voice Culture and How The Italian Vowls and Consonants as Fundamental Phonetic Elements for Voice Culture The Articulation of the Italian Consonants; Speaking Exercises for a Correct Voice Production Vocal Exercises of the Scientific Culture A Word from a Laryngologist to Singers |
This historic volume,
dedicated to the great tenor and published shortly after his death,
explains clearly and scientifically how Caruso achieved his phenomenal
voice production. Written by a noted laryngologist and student of voice
who devoted much of his career to working with Caruso and other singers,
the book proposes a method of voice culture based on well-defined
physiological laws. According to Dr. Marafioti, there is only one right
way to sing - a method based on the scientific principles of voice
culture. Although Caruso instinctively sang that way, the methods can
be learned by any singer.
| 6584 Book 11.95 |
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Choice of Singing as a Profession |
Rather
than a technical book on singing techniques, this volume contains many
priceless pointers that Lillian Nordica acquired through experience.
She discusses early training and the choice of a teacher; the
cultivation of calmness, self-control, and confidence; overcoming
obstacles such as self-consciousness and stage fright; and stage fright;
and numerous other important skills that lead a singer toward success.
Her practical counsel ranges from the advantages of wearing comfortable
attire to the caution required when signing contracts.
| 6530 Book 5.95 |
 | Preliminary Practice Of the Breath Of the Breath and Whirling Currents (Singing Forward) The Singer's Physiological Studies Equalizing the Voice - Form The Attack and the Vowels Nasal-Nasal Singing-Singing Toward the Nose-Covering the Tone-Chanter Dans Le Masque-Nasal Twang The Head Voice The Sensation and Position of the Nose-the Nose Form The Sensations of the Palate The Sensation of the Resonance of the Head Cavities On Vocal Position-Three Are No Vocal Registers-Propaation-Form White Voices Theodor Wachtel and the Vocal Technique of Tenors The Highest Head Tones-Staccato The Tremolo The Cure The Tongue The Position of the Mouth (Contraction of the Muscles of Speech) Connection of Vowels The Lips as a Means of Expression The Vowel-Sound AH of Former Days Auxiliary Vowels Resonant and Disconnected Consonants Practical Exercises The Great Scale Velocity Trill How to Hold One's Self When Practising Pronunciation-Consonants Concerning Expression Before the Public Interpretation Indispositions Note: A Good Remedy for Catarrh and Hoarseness |
This remarkable book is one of the most influential
works on the art of singing ever written. Its author was one of the
first great international superstars of opera. German soprano Lilli
Lehmann enjoyed a long and brilliant career that began in Prague and
Danzig and soared to the heights of operatic renown in Berlin, Vienna,
London and New York. Coached by Wagner himself, she took part in the
first complete Ring cycle at Bayreuth in 1876, and sang in the first
performances of Tristan and Isolde and the complete Ring cycle in
America.
| 6531 Book $8.95 |
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This remarkable book is one of the most influential works on the art of singing ever written. Its author was one of the first great international superstars of opera. German soprano Lilli Lehmann enjoyed a long and brilliant career that began in Prague and Danzig and soared to the heights of operatic renown in Berlin, Vienna, London and New York. Coached by Wagner himself, she took part in the first complete Ring cycle at Bayreuth in 1876, and sang in the first performances of Tristan and Isolde and the complete Ring cycle in America.
| 5189 Book $8.95 |
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Song Recital Program Building Constructing Sample Programs More Sample Programs The Unique Needs of the Young Artist The Singing Actor The Accompanist Recital Tactics and Strategies Musical and Literary Research Methods of Study and Memorization New Music Vocal Ensemble Music The Song Cycle Folk Music and Popular Music The Need for Change & Innovations Appendix Bibliography |
To perform well
in today's highly competitive world where technical skills have been
advanced to an unprecedented degree, a singer must be able to handle
incredible pressure within the performing arena; his or her ability to
deal with this stress will often determine whether he or she will
succeed. Why, then, do singers with less technical skill sometimes
out-perform stars? Why do some stars suddenly stop performing? What is
that mysterious factor that makes an electric performance? Consistent,
competent performances do not depend solely upon superior vocal skills,
nor are they a matter of luck. On the contrary, the best performances
result from a combination of mental attitude, concrete performing
skills, and excellent technical skills in that order. Yet most singers
have never had the opportunity to acquire the essential skills that make
for a successful career.Written as a self-help manual for singers at all
levels of expertise, Transcending the Performance Barriers is designed
to teach performing artists, and especially singers, how to experience
elite performance at their level. The skills outlined in this book will
help singers use what they have, to enjoy their voices during
performance, and to perform consistently to the best of their present
ability.
| 6514 Book $34.95 |
 | General observations and preliminary
excercises Rossini's exercises to develop the voice Arpeggio exercises Scale exercises Chromatic exercises Exercises on the turn and trill Various ways of connecting notes To place the voice and connect two notes On the turn On scale passages On arpeggios On agility On chromatic passages Six vocalises on style Virtuoso passages, candenzas and reprises |
An indispensable guide for modern singers, this rare resource offers
exercises and instructions for attaining the absolute breath control,
vocal sheen, evenness of tone, agility, and elegance of the 18th-century
Italian vocal technique. Includes studies for scales, turns and trills,
vocalises, solfeggio studies, more. Damorea was the famous French
soprano who created at the Paris Opéra (1825-35) the principal
roles in Rossini's "Le siège de Corinthe",
"Moïse, Le Comte Ory" and Guillaume Tell and in Auber's
"La muette de Portici", being known for her pure tone and
stylish ornamentation.
| 6481 Book $9.95 |
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Foundation of Bel Canto the Development of Bel Canto The Magic Word "HUNG" Tone of Bel Canto Legato of Bel Canto Attack of Bel Canto Consonants Agility Pianissimo Messa di Voce Mezza Voce Vocal Registers Breathing Breath Support for Bel Canto Bel Canto Resonance Timbres of Bel Canto French The Language of Bel Canto Beauty of Tone Increasing the Higher Range Summary |
This guide somatically explains how to sing using fundamental 'bel canto' technique. It is unique because it explains the physical technique of 'bel canto' in plain words, rather than discussing opinions and observations, style, vocalises, history and theory. The author, Kendrick Jacocks, has used the method, which was identified as 'bel canto' by professionals in the field as he prepared for his debut performances of Verdi's "Otello' with the Donetsk State Opera in The Ukraine and on tour in Spain. His performances held interest for his unique ability to transmit real emotion through the use of timbre, intensity, and dynamics, which was enabled by three essential physical movements. The 'bel canto position' was taught to him by the successful 'bel canto' teacher and soprano Virginia Zeani. The technique was then applied by the actions he sets forth in this book, and aided by his own studies and practice. The second half of the book provides helpful remedies, suggested listening, a short explanation of the teachings of Manuel Garcia II, Enrico delle Sedie, Mathilde Marchesi, and Giovanni Sbriglia, "Constantin Stanislavsky on Singing in the Mask", quotations on the value of humming and suggestions from Zinka Milanov, Virginia Zeani, Marian Anderson, G. B. Lamperti, Jean de Reszke, and Rosa Ponselle, and a short gallery.
| 5292 BOOK $13.95 |
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Bel Canto Technique Anatomy of the Nose Soft Palate Tongue and Jaw Breathing and Support Discussing the Ancient Manner The Cavities of the Head Head Resonance Buccel Resonance Chest Vibrations Open and Closed Tones Pelvic Support Chest Voice Chest Tone, Stage, Consonants Technique of Chest Resonance Sbriglia Closing |
This book of the 'bel canto' series by author Kendrick Jacocks takes the anatomical and physiological route to explaining why the 'bel canto' position achieves the timbres, calibration, and control native to it. The book proves the functional aspects of the nasalis (nose muscle system), and provides detailed descriptions of the paranasal sinuses: ethmoid, sphenoid, maxillary, and frontal, and their effect on tone quality. It explains chest tensions; the connection between the pelvic floor and mask in supporting the breath, and the chest position. The books explains how to use the muscles that open and close the tone, the importance of the relaxation of the spine, and explains resonance. The book provides anecdotes from such writers, artists and teachers as Giovanni Sbriglia, Joan Sutherland, G.B. Lamperti, Regine Crespin, and Manuel Garcia. Kendrick Jacocks is a professionally active dramatic tenor, pedagogue, and critic whose life is dedicated to the practice of opera as a means of transmitting human emotion. He has performed with symphony orchestras and opera companies in the United States, Europe, Eurasia, Canada, and Central America. He received a BM in voice and literature from University of Illinois at Champaign-Urbana, and his MA in voice pedagogy and performance from the University of ND at Grand Forks. He plans to complete a DMA at Rutgers University.
| 5291 BOOK $19.95 |
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Preamble Introduction Investigation of Bel Canto Voice-Production and Breath-Control Characteristics of Bel Canto Building the Bel Canto Instrument Bel Canto Breath-Control and Voice Production Fundamental Principles of Bel Canto Mastery Of Bel Canto Technique Coloratura Articulation Voice Types and Vocal Timbres Appendix: Summary of Research Bibliography |
Lucie Manen's career - as lieder and opera singer and physiotherapist - uniquely qualified her to write this manual. Here are the findings of her extensive investigations into the "lost" art of Bel Canto, its history, and its techniques.
| 7076 BOOK $28.95 |
 | Part One: Elementary and
Progressive Exercixes for the Development of the Voice Chromatic Slur Diatonic Slur Portamento Scales Exercises for blending the Registers Exercises on two notes Exercises on three notes Exercises on four notes Exercises on six notes Exercises on eight notes Chromatic Scale Minor Scales Exercises for Flexibility Varied Scales Repeated Notes Triplets Arpeggi Messa di Voce (Swelled Sounds) Apoggiatura - Acciaccatura (Crushed Note) - Mordente The Turn The Shake (Trill) Shakes by Thirds | Part Two:
Development of the Exercises in the Form of Vocalises Attack Portamento Sostenuto Diatonic Scale Dotted Diatonic Scale Minor Scale Major and MInor Scales alternating Chromatic Scale Repeated Notes Triplets Areggi Appoggiatura and Acciaccatura (Grace Notes) Mordente and Turns Syncopation Long Intervals Staccato, Mezzo Staccato, and Accented Notes Shakes |
Bel canto (Belcanto, bel canto) (Italian, beautiful singing), an Italian musical term, refers to the art and science of vocal technique which originated in Italy during the late sixteenth century and reached its pinnacle in the early part of the nineteenth century during the Bel Canto opera era. Bel canto singing characteristically focuses on perfect evenness throughout the voice, skillful legato, a light upper register, tremendous agility and flexibility, and a certain lyric, "sweet" timbre. This volume embodies Madame Marchesi's "vocal alphabet," or basic instructions and exercises that formed the voices of her great pupils. An introductory text discusses breathing, attack, registers and similar matters, while the remainder of the book contains many exercises and vocalises that teach voice management and projection. Marchesi's book is today even more important than when it first appeared, for it offers the basis for a construction of the bel canto training system. At the time the book appeared, the bel canto system had gone out of fashion in favor of more modern schools that seemed to offer more rapid maturation, voice volume, and dramatics. Today, a more realistic reevaluation has revealed that the bel canto system gave the singer much longer performing life, a more pleasing voice, and far greater musical ability. As Phillip Miller states in his introduction, "a solidity, a sure technical mastery, an even scale with no register break... strong, even and secure trills, their coloratura masterly." In addition, the resurgence of interest in early 19th century opera renders a work like Marchesi's indispensable to the modern singer.
| 6480 Book $12.95 |
 | Practical Guide for Students Exercises for Blending the Registers Chromatic Scale Minor Scales Exercises for Flexibility Varied Scales Repeated Notes Triplets Arpeggi Messa de Voce (Swelled Tones) The Appoggiature The Turn The Trill Trills Separated by a Third Development of the Exercises in the Form of Vocalises |
This very complete guide to Marchesi's style of vocal training has everything from a written guide for students, to a wealth of different exercises, each with instructions on vowel use and mouth placement. This method has been in use now for almost 100 years and has been of great use to singers of all styles. A tried a true means to get the most out of your voice.
| 6478 Book $15.95 |
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Breath System The Phonating System The Resonating System The Articulating System General Remarks Fundamental Exercises The Covered Tone Agility Studies Sustained Tone Studies Chromatic Studies Messa Di Voce The Head Voice Style Special Problems English Diction Foreign Language Diction Glossary of Musical Terms Songs for Baritone and Bass Recordings of Great Singers |
A method
that has long been highly regarded among teachers and students alike.
Each of these books consists of 3 parts: Part I describes the vocal
mechanism and its function briefly and in simple, non-technical
language. Part II consists of basic, fundamental vocalises carefully
selected to develop the specific voices for which the book is written.
Part III presents the important elements of diction in the 5 languages
most commonly used in singing: English, Italian, French, German and
Spanish.
| 6221 BOOK $9.95 Mezzo Sopranos |
| 6208 BOOK $9.95
Bass / Baritone |
 | The Scale Intervals of Thirds Intervals of Fourths Intervals of Fifth Intervals of Sixths Intervals of Sevenths Intervals of Octaves The Semitones Syncopation Preparatory Example for the Roulade Appoggiaturas above and below The Acciaccatura Preparatory Example for the Mordent The same exemplified in various ways Preparatory Example for the Turn The Turn Preparatory Example for the Shake On Roulades On the Glide or manner of carrying the Voice On Recitative Recapitulation |
Learning to sing means beginning an
artistic journey full of rich and unexpected experiences. human voices
touch hearts in every nation and yet the best singing has qualities that
Italy originated and taught the world to admire. Singing can approach a
quality of timeless beauty, yet songs preserve for us the feelings of
particular times, whether recent or long ago. Singing gives both the
singer and the listener a sensation of freedom and heartfelt expression.
Vaccai's masterly Method won increasing popularity with time, and was
eventually used in conservatories all over the world. Even today it is
often used by singing teachers, who consider it a collection of
attractive Ariettas, each serving a particular funtion. And it is quite
easy material, perfect for the beginning student. This method book is
tailored towards High Soprano voices.
| 6499 BOOK $4.95 High Soprano |
| 6496 BOOK
$4.95 Soprano |
 | Stance Breathing / The Torso Phonation / The Throat Resonance / The Head Range And Timbre Singing And Health The Teacher / The Lesson Practice / Vocal Exercises Musicianship Pronunciatiation And Diction Interpretation Performance |
The Singer's Companion
combines the author's extensive research on hundreds of professional
singers' and singing teachers' books with 30 years of personal teaching
experience. The book concentrates on traditional vocal and artistic
development, as employed at the most renowned universities and
conservatories. At the same time, the presentation is extremely
practical and accessible. The language is simple, and minimal space is
given to theory. As each aspect of good singing and artistry is
explained, enlightening quotations from dozens of the best singers and
teachers, such as Enrico Caruso, Luciano Pavarotti, Eileen Farrell,
Manuel Garcia, and Emma Seiler, help the singer to grasp the concept.
The building of the vocal instrument and the artist is the focus. Topics
include stance, breathing, phonation, resonance, range, health, choosing
a teacher, vocal exercises, musicianship, pronunciation and diction,
interpretation, performance, and selecting material. Many illustrative
diagrams appear in the text. The book includes exercise sheets, sample
songs, and an illustrative CD. Any singer, from the would-be
professional to the diligent choir member, can benefit from this
easy-to-use, thorough companion.
| 6513 BOOK & CD $14.95 |
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ntroduction Believability: The Territory and Tools The Divine Marriage To Become or not to Become Playing in the Moment Judgments and Trust Creating Your Character Neither "Right" nor "Wrong" Your Character's Universe Your Character's World Your Character's Heart's Desire Motivating Your Character's Actions Your Character's Inner Voice Preparing for Performances Being Believavle in Any Role Getting The Part Getting Good Delivering a Believable Character Appendices |
Written to meet the needs of thousands of students and pre-professional singers participating in production workshops and classes in opera and musical theater, Acting for Singers leads singing performers step by step from the studio or classroom through audition and rehearsals to a successful performance. Using a clear, systematic, positive approach, this practical guide explains how to analyze a script or libretto, shows how to develop a character building on material in the score, and gives the singing performer the tools to act believably. More than just a "how-to" acting book, however, Acting for Singers also addresses the problems of concentration, trust, projection, communication, and the self-doubt that often afflicts performers pursuing the goal of believable performance. Part I establishes the basic principles of acting and singing together, and teaches the reader how to improvise as a key tool to explore and develop characters. Part II teaches the singer how to analyze theatrical work for rehearsing, and performing. Using concrete examples from Carmen and West Side Story, and imaginative exercises following each chapter, this text teaches all singers how to be effective singing actors.
| 7075 BOOK $29.95 |
Jerome Hines has interviewed 40 singers, a speech therapist, and a throat specialist to provide this invaluable collection of advice for all singers. This collection includes the commentary of Licia Albanese, Franco Corelli, Placido Domingo, Nicolai Gedda, Marilyn Horne, Sherrill Milnes, Birgit Nilsson, Luciano Pavarotti, Rose Ponselle, Beverly Sills, Joan Sutherland and many others.
| 6512 BOOK $16.95 |
Vaccaj's masterly Method won increasing popularity with time, and was eventually used in conservatories all over the world. Even today it is often used by singing teachers, who consider it a collection of attractive Ariettas, each serving a particular funtion. And it is quite easy material, perfect for the beginning student.
| 6490 BOOK $19.95 Mezzo Soprano |
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