In Celebration of the Human Voice - The Essential Musical Instrument
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Traditional Zimbabwean choral and folksongs arranged for harmony voices. |
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Displaying 1-6 of 6 items.
Hwayana yaMwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The text is the Shona translation of the Agnus Dei of the Mass Ordinary.
Composer: Lee Kesselman | Country: Zimbabwe
Mbiri kuna Mwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The text is the Shona translation of the opening section of the Gloria of the Mass Ordinary.
Arranger: Lee Kesselman | Country: Zimbabwe
Munoera (Sanctus) is part of the Shona Mass, an original work composed in the spirit of music heard at the Episcopal Cathedral in Harare, Zimbabwe. The text is a combination of Shona and liturgical Latin and may be performed with SSA or TBB a cappella voices and percussion. Djembe, claves, shekere, and hand drum parts are included in the score.
Arranger: Lee Kesselman | Country: Zimbabwe
Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, layered vocal patterns, and a joyful solo with both secularand sacred texts. An exciting concert procession or opener!
Arranger: William C. Powell | Country: Zimbabwe
Now available for men's voices! Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, layered vocal patterns, and a joyful solo with both secular and sacred texts. An exciting concert procession or opener!
Arranger: William Powell | Country: Zimbabwe
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