The Cornish folk tune 'The Holy Bears a Berry,' alternates between men and women's voices. Solo sections may be sung by small groups. This arrangement is best for church, community, or school choirs. 'Ding Dong! Merrily on High' is a vigorous 8 part a cappella piece with constant vocal imitation of bells. Elaborate counterpoint and canonic devices. Completely diatonic, harmonically and melodically conservative. Rhythmic ostinatos give non-stop energy leading to dazzling finish. 'Gloria in Excelsis Deo' begins and ends with a rhythmic and exciting statement of the Gloria text. The middle section is tranquil and effectively emotes the feeling of peace that is being presented in the text. The final statement is one of peace. Challenging, but well worth the work. Van's arrangement of 'Once in Royal David's City.' is an introspective and reflective setting of this Christmas standard. The composer includes many of the elements that have become associated with this hymn. This arrangement begins with either a treble solo, or with all sopranos, it then broadens into a rich setting of the following stanzas, and ends with a hushed treatment of the text "And our eyes at last shall see him." May be used in worship or concerts. 'Angels We have Heard on High' is a beautiful and energetic arrangement that is appropriate for both worship and concert use. The piece is written in a unique way that incorporates vocal accompaniments that are shared between men's and women's voices. Includes soaring descants throughout. Composed in the Australian winter of 2005, 'Ave Maria' was written by Jacobs in response to the death of a close friend's mother. Her passion for Renaissance music influenced many aspects of the piece, particularly text, and the decision to set it for two a cappella choirs.