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Mixed Choral Ensemble from Boston, MA, United States.
The Boston Camerata was associated until 1974 with the Boston Museum of Fine Arts. It was founded at that institution by Narcissa Williamson, and was directed in its early seasons by Anne Gombosi, Howard Mayer Brown, Daniel Pinkham, and Victor Mattfeld. Camerata incorporated as a nonprofit entity, and began self-producing its own local concert series, in 1974. From 1968 to 2008, Joel Cohen directed the ensemble's activities, which grew exponentially under his leadership. He is is now Music Director Emeritus.
In the United States, Camerata has participated in early music festivals at Berkeley and San Antonio, as well as in many of the biennial Boston Early Music Festivals. The ensemble has maintained an extensive touring schedule across the entire United States. Camerata's second, third and fourth invitations to the renowned Tanglewood Festival came in 1992, 1994 and 1995, respectively. A widely praised national tour of Cantigas in 2000 marked Camerata's first collaboration with the Sharq Arabic Music Ensemble; the two groups performed together again in Paris in 2007. Other important Camerata appearances in the United States include music making at Lincoln Center, New York, The Cloisters, New York, The Smithsonian Institute, The National Cathedral (Washington), The Library of Congress, and The Brooklyn Academy of Music.
Under the initial auspices of Radio France, Camerata began touring overseas in 1974, and has maintained an international presence ever since. In recent seasons, Camerata has been heard in Canada, England, Spain, France, Germany, Italy, Portugal, the Netherlands, Singapore, and Israel. Camerata undertook its first Japanese tour in 1995; it gave its first Scandinavian performances in 1996. Other distinguished overseas venues that have hosted Camerata include: Queen Elizabeth Hall, London, Stationers' Hall, London, the Cite de la Musique, Paris, the Royal Opera of Versailles, the Arsenal of Metz, the Popes' Palace, Avignon, the Palau de la Musica, Barcelona, the Opera Real, Madrid, and the Pitti Palace, Florence.
Presented in collaboration with the Tero Saarinen Company, Borrowed Light, a dance production integrating live performances of Shaker songs, has toured extensively in Europe, America, (France, Germany, Italy, Sweden, Finland, United Kingdom, USA) since 2004, with a south Asian tour recently completed in 2008, to critical acclaim. The Boston Camerata, by now one of the world's oldest continually functioning professional early music ensembles, celebrated its fiftieth anniversary in 2005 with festive productions in Boston (Boston Early Music Festival) and Paris (Theatre de la Ville). At the latter appearance, longtime director Joel Cohen was decorated by the French government.
Additional Camerata tours are scheduled for 2009-2010 and 2010-2011 in the U.S . Germany, France, Colombia. Media appearances by the Boston Camerata have included a nationally syndicated radio series in the U.S. and numerous broadcasts on French, English, Canadian, Dutch, Spanish, Swiss, Norwegian, Swedish, Israeli, Australian and New Zealand radio. The ensemble has made several appearances on French television; in the spring of 1992 its video production of the Roman de Fauvel was telecast nationwide in France. In the United States, Camerata provided the music for Guardian of Memory, a 1993 TV project for the Library of Congress. Camerata's video of Shall We Gather at the River received numerous "plays" on American cable television during the winter of 1992-93. Simple Gifts (1995), and The Golden Harvest, (2007) the group's Shaker music projects, have been the subject of extensive coverage on national television, on American public radio and the BBC.
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Gaude Maria
Review: This recortding is one of several in the highly successfule series of Christmas recordings from this fine ensemble. The music on this collection spans seven centuries (12th to 19th) and offers a wide and diverse range of compositions. Director Joel Cohen opens with a Hebrew cantillation of "Isaiah's Prophecy" of the comming of the Messiah, moves on to a 10th-century Spanish setting of a sibylline prophecy, and then takes us to 12th-century Provence with "Adest Pronsus". The performances are always stylish and captivating.... a treasure and essential to your collection.
Songlist: Isiah's Prophecy, The Sybil's Prohecy - Iudicii Signum, Conductis - Adest Sponsus, Clausula - Oiet, Virgines, Hymn - Domino, Lauda - Conditor Alme Siderum, Reading - Verbum Caro Factum, Organum - On Frymae Was Word, Reading - Ludea Et Iberusalem, Hymn - Gedonis Area, Sacred Song - O Maria, Feu MAire, Prosa - Ave Maria, Responsory - Gaude MAria, Hymn - Joseph, Liber Nefe Min, Conductus With Refrain - Congaudes Hodie, in Dulci Jubilo, Hymn - In Dulci Jubilo, Reading - Hand By We Shule Us Take, Conductus - Lux Hodie.. Orientis Partibus
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