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Irving Fine's music, wrote Aaron Copland, "wins us over through its keenly conceived sonorities and its fully realized expressive content"; Copland also singled out its "elegance, style, finish and a convincing continuity", its overarching lyricism summed up in Virgil Thomson's description of its "unusual melodic grace".
Irving Fine was born in Boston, Mass., on 3 December 1914 and first studied piano; he was an admired pianist throughout his career, and was particularly esteemed by colleagues for his sight-reading ability. Fine went to Harvard University, attending the composition and theory classes of Edward Burlingame Hill and Walter Piston; he received his BA in 1937 and his MA a year later; at Harvard he also studied choral conducting with Archibald T. Davidson and, at Tanglewood, orchestral conducting with Serge Koussevitzy. In 1938-39 he attended Nadia Boulanger's composition classes at Fontainebleau, outside Paris, and at Radcliffe College, Cambridge (Mass.).
Composers - Early Music | Classical | 20th Century | Modern
Displaying 1-3 of 3 items.
Review: Subtitled "Four Vivariations", Irving Fine's McCord's Menagerie, are settings of humorous poems by David McCord. With the bumbling "loo's" accompanying the tenor melody, Fine's setting of Vultur Gryphus implies a harmless creature. Instead of the movie western's ominous bird associated with death, Fine's animal seems too lazy and stupid to get his own food! Jerboa, classified as the genus jaculus jaculus, is as active and scary in Fine's world as Vultur Gryphus is laid back and friendly. Fine agrees with those to whom a darting (the translation of the Latin jaculus) small rodent is sinister and creepy, attributes he conveys through abrupt entrances and minor tonality. In Mole McCord compares the over-soul of man, a Unitarian concept put forth by Ralph Waldo Emerson, with the limited capacities of the mole. In Clam, Fine and McCord give in to their silliest selves. McCord observes how man the diner and clam the dinner (in chowder no less) both evolved from the same ancestor; man is saved from the clam's fate, according to McCord, by his own initiative and work ethic. Fine has a lot of fun with the sounds suggesting insouciance, which explains why the clam never got ahead! Lots of fun here.
Songlist: Jerboa, Vultur Gryphus, Clam, Mole
Review: This popular and playful first selection from Three Choral Settings from Alice in Wonderland is now back in print! With piano. Recorded by Gregg Smith Singers with Raymond Beegle, piano - Courtesy Composers Recordings, Inc.This lively selection from Fine's classic Alice in Wonderland is full of dancing rhythms and spirited energy. Available for SATB, SSA and TTBB. Performance Time: Approx. 2:15. Recorded by Gregg Smith Singers with Raymond Beegle, piano. Courtesy of Composers Recordings, Inc.This lively selection from Fine's classic Alice in Wonderland is full of dancing rhythms and spirited energy. Available for SATB, SSA and TTBB. Performance Time: Approx. 2:15. Recorded by Gregg Smith Singers with Raymond Beegle, piano. Courtesy of Composers Recordings, Inc.
Songlist: Lobster Quadrille, Father William, Lullaby of the Duchess
Review: Reincarnations is a program of five American masterworks and includes one world premier recording (Tom o'Bedlam). "The Hour Glass" by Irving Fine is difficult and virtuosic cycle, written in a lyrical style just before his 12-tone experimentation. "Tom o'Bedlam" by Jacob Avshlomov is based on a text about one of the patients of the insane asylum, St. Mary of Bethlehem, in 16th century. Accompanied by oboe and percussion, this powerful piece mimics the nonsense and madness in the text. "Reincarnations" by Samuel Barber is a set of three pieces which uses James Stephen's re-writing of old Gaelic poetry and includes the absolutely gorgeous setting of "The Coolin (The Fair Haired One)." All of the works on this recording are demanding but skillfully sung by the incomparable Dale Warland Singers.
Songlist: The Hour Glass, - O know to end as to begin, - Have you seen the white lily grow, - O do not wanton with those eyes, - Against Jealousy, - Lament, - The Hour-Glass, Tom o'Bedlam, Reincarnations, - When again all these rare perfections meet, - All-circling point, - His body was an orb, - On a round ball, - Nor do I doubt, - See how the arched Earth, Psalm 90 (Charles Ives)
Displaying 1-25 of 25 items.
Song Name | Arranger | Composer | Artist | Item Title | Format | Trax | |
---|---|---|---|---|---|---|---|
- Against Jealousy | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
- Have you seen the white lily grow | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
- Lament | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
- O do not wanton with those eyes | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
- O know to end as to begin | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
- The Hour-Glass | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
A Short Alleluia | John Hopkins | Irving Fine | A Short Alleluia | Sheet Music (SATB) | MORE DETAILS | ||
Against Jealousy | Irving Fine | Sixteen | Barber - Agnus Dei | 1 CD | MORE DETAILS | ||
Against jealousy - The hour-glass (1949) | Irving Fine | Esoterics | Immaginosa - American inspiration and the modern madrigal | 1 CD | MORE DETAILS | ||
Beautiful Soup | Irving Fine | Beautiful Soup | Sheet Music (SSA) | MORE DETAILS | |||
Clam | Irving Fine | Irving Fine | McCord's Menagerie | Sheet Music (TBB) | MORE DETAILS | ||
Have You Seen The White Lily Grow? | Irving Fine | Sixteen | Barber - Agnus Dei | 1 CD | MORE DETAILS | ||
Have you seen the white lily grow? - The hour-glass (1949) | Irving Fine | Esoterics | Immaginosa - American inspiration and the modern madrigal | 1 CD | MORE DETAILS | ||
Jerboa | Irving Fine | Irving Fine | McCord's Menagerie | Sheet Music (TBB) | MORE DETAILS | ||
Lament | Irving Fine | Sixteen | Barber - Agnus Dei | 1 CD | MORE DETAILS | ||
Lament - The hour-glass (1949) | Irving Fine | Esoterics | Immaginosa - American inspiration and the modern madrigal | 1 CD | MORE DETAILS | ||
Mole | Irving Fine | Irving Fine | McCord's Menagerie | Sheet Music (TBB) | MORE DETAILS | ||
O Do Not Wanton With Those Eyes | Irving Fine | Sixteen | Barber - Agnus Dei | 1 CD | MORE DETAILS | ||
O do not wanton with those eyes - The hour-glass (1949) | Irving Fine | Esoterics | Immaginosa - American inspiration and the modern madrigal | 1 CD | MORE DETAILS | ||
O Know To End As To Begin | Irving Fine | Sixteen | Barber - Agnus Dei | 1 CD | MORE DETAILS | ||
O know to end as to begin- The hour-glass (1949) | Irving Fine | Esoterics | Immaginosa - American inspiration and the modern madrigal | 1 CD | MORE DETAILS | ||
The Hour Glass | Irving Fine | Dale Warland Singers | Reincarnations | 1 CD | MORE DETAILS | ||
The Hour-Glass | Irving Fine | Sixteen | Barber - Agnus Dei | 1 CD | MORE DETAILS | ||
The hour-glass - The hour-glass (1949) | Irving Fine | Esoterics | Immaginosa - American inspiration and the modern madrigal | 1 CD | MORE DETAILS | ||
Vultur Gryphus | Irving Fine | Irving Fine | McCord's Menagerie | Sheet Music (TBB) | MORE DETAILS |
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