In Celebration of the Human Voice - The Essential Musical Instrument
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English composer and pianist. He studied at the RAM (1953-7) and with Boulez in Paris (1957-9), though his public career as a composer had begun before this. At 16 he was writing 12-note music, and the period with Boulez encouraged him towards Darmstadt techniques. But in the 1960s he recovered more conventional aspects to develop a style of Bergian expressionism (e.g. in his opera The Mines of Sulphur, 1965); his opera Victory was given at Covent Garden in 1970. His subsequent output is large, including many concertos, settings of English poetry, chamber music, and, notably, big Romantic film scores. A musician of great versatility, he has worked as a jazz pianist (several of his scores of the 1960s are in a sophisticated jazz style) and has played and arranged American popular music. |
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