William Billings, is considered by many to be the foremost representative of early American choral music. Billings was born in Boston on October 7, 1746. Largely self-trained in music, he was a tanner by trade and a friend of such figures of the American Revolution as Samuel Adams and Paul Revere. Billings's New England Psalm-Singer (1770), engraved by Revere, was the first collection of music entirely by an American.

Billings wrote for one and only one combination of musical forces: the four-part chorus, singing a cappella. His many hymns and anthems were published in large collections. His music can be at times forceful and stirring, as in his patriotic song Chester; ecstatic, as in his hymn Africa; or elaborate and celebratory, as in his "Easter Anthem". The latter sounds rather like a miniature Handelian chorus, sung a cappella. As might be expected from a composer who was very close to his roots in folk music, Billings's music shows a striking purity.

Billings often wrote the lyrics for his own compositions. Like the notes, the words are occasionally awkward but always forceful and vivid. He wrote long prefaces to his works in which he explained (often in an endearingly eccentric prose style) the rudiments of music and how his work should be performed. His writings reflect his extensive experience as a singing master, and often include advice that would wisely be heeded by choral singers today.

Billings's work was very popular in its heyday, but it failed to last out the composer's lifetime, and he died in poverty. The Stoughton Musical Society, formed by former students of Billings, has carried on his tradition for over 200 years. As printed in shape notes, Billings's work has also survived in the musical tradition of the Sacred Harp, where his songs continue to be highly favored by many singers. The modern American composer William Schuman featured Billings's American Revolutionary War anthem Chester in his composition New England Triptych.

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