| Song Name | Composer |
| The Spiritual/Human Alchemy of the Choral Rehearsal | Part One: The Insides of Rehearsing |
| The Tethered Rehearsal | Part One |
| Encouraging the Inner Journey: Choirs on the Edge | Part One |
| Contextualizing the Choral Experience | Part One |
| Teaching Ensemble Silence | Part One |
| The Perceiving Choir | Part One |
| Selecting Literature for your Ensemble | Part Two: Choosing a Rehearsal Path |
| The Rehearsal Atmosphere | Part Three: Spiritual and Human qualities of the rehearsal |
| The "It" of Rehearsal: Setting the Mimetic of the Room | |
| The Willful Choir | |
| The Rehearsal Room as a Secret Place for Musicians | |
| The Energy Dynamic of the Rehearsal: Pacing and Energy | |
| The Door Into Musical Style: Timbre Preferences | |
| Breathing New Life Into Renaissance Choral Music | |
| Determining Tempos for Performance and Rehearsal | |
| A Voice Teacher's View of the Rehearsal | |
| Score Preparation: A Kaleidoscopic Process | |
| The Quantum Conductor | |
| Begin with Aural Study: Ear Before Eye | |
| Analysis of Tune and Text | |
| Vocal Score Study | |
| The Rite, Passage, and Necessity of Score Marking for Conductor and Choir | |
| Deciphering the "code" of Renaissance Composers: Cadential Analysis and Application to the Performance of Renaissance Music | |
| Breaking the Renaissance Code | |
| Understanding the Journey of Texts | |
| The Historical and Structural Analyses of Choral Works | |
| Schenkerian Analysis as an Analytical Tool For Performance Preparation | |
| Using the Principles of Laban Movement Score Analysis | |
| Audiation and Imaging: The Key "Practicing" Conducting | |
| Rehearsal Planning Checklists: Covering all steps | |
| The Moment Prior to Rehearsal | |
| Postscript: The Rehearsal as a Connecting Experience | |
