| Song Name |
| The Triads of the Major Scale |
| The Connection of the Triads of the Major Scale |
| Connection of Triads, showing no External agreement |
| Deviations from rules governing the connection of related Triads |
| Harmonic Sequences |
| The Harmony of the Minor Scale |
| Open Position |
| The inversions of the Triad |
| The inversions of the Diminished and Augmented Triads |
| The Dominant Chord |
| Free Voice-Leading |
| The chord of the Ninth |
| Chords of the diminished Seventh |
| The Connection of dissonant Harmonies resolving into the tonic Triad |
| Chords of sequence in minor |
| The Harmonization of a given melody |
| Direct Modulation |
| Transient Modulation |
| Harmonization of given melodies with modulations |
| The enharmonic properties of the chord of the diminished Seventh |
| The Organ-point |
| Suspensions |
| Anticipations |
| Passing-notes |
| Chords of the augmented Fifth |
| Chords of the augmented Sixth |
| Changing-notes |
| Strict Part-writing |
| The further development of Voice-leading |
| Harmonic figuration |
| The free Prelude |
| Deviations from the laws of Harmony |
| Cadences (closes) |
