Heinrich Sch¸tz was one of the great German masters of vocal music, serving as a bridge between the early contrapuntal school of Palestrina and the later contrapuntal school of Bach and Handel. This motet illustrates both homophonic and contrapuntal techniques and concludes Sch¸tz's setting of The St. Matthew Passion. Available: SATB a cappella. Duration: ca. 2:13. |