Song Name |
Foreword: The Art and the Business of Recording Books |
How to Use This Book: a Note About the Phonetic Symbols and the Illustrative Texts |
Introduction: Getting Started in the Book Recording Business |
What You Need to Get Started |
The Resume / The Demo Tape or CD |
Getting an Agent |
The Casting Process |
Auditions: What a Director Expects |
The Recording Session: What a Director Expects |
Publishers of Recorded Books in the USA, UK and Canada |
Chapter 1: The Voice |
The Nature and Care of the Voice |
Some Advice about Vocal Technique |
Finding Your Voice |
Placing and Supporting the Voice |
Breathing and Breath Control |
Developing Variety and Flexibility |
Paralinguistics: How to Do Different Voices |
How to Change Your Voice |
Vocal Exercises |
Chapter 2: Diction and Pronunciation |
Guide to Correct Pronunciations |
Positions of Vocal Apparatus |
Stress Patterns: Rhythm |
Pitch (Intonation, Music) |
Some Sounds to Avoid |
Some Difficulties with English |
Some Words with Two Pronunciations |
Practice Exercises for Good Diction |
Chapter 3: Microphone and General Recording Techniques |
Brief History of Recording |
Microphone and Recording Technique |
Environment of the Soundproof Sound Studio |
What to Expect: How the Recording Session Works / Preparing for the Recording Session |
Chapter 4: Acting Methods and Techniques |
Chapter 5: Reading Techniques |
Preparing the Text for rRecording |
Phrasing and Thythm |
Personalize the Text |
Chapter 6: Recording Prose Fiction |
General Advice: Telling the Story |
Understanding Style and Period |
Setting the Scene: Openings |
Reading Different Kinds of Scenes: Action, Love, etc |
Attitudes are Adjectives |
Actions are Verbs |
Using Accents |
Chapter 7: Recording Plays |
Chapter 8: Recording Poetry |
Chapter 9: Recording Nonfiction: Making the Text Come Alive |
How to Read Biography, Autobiography and Memoirs, and History |
Essays and Philosophy |
Humorous Nonfiction |
Other Genres |