The Finzi Singers seem to know just what is required of them, bringing their imaginative style to some of the best partsongs. The programme is arranged chronologically until the last five pieces, which form a kind of encore-group or coda to the recital. From Op. 18 to Op. 73 is quite a journey. In years, it goes from 1890 (the date of My love dwelt in a Northern land, from Op. 18) to 1914: most of Elgar's creative life lies between. The imaginative freedom and technical assurance of the 1914 settings are attributes hard won in the period that divides these compositions from the easier charm and geniality of the early sets. Yet, returning to those, one finds a very characteristic strength, whether of melody, harmony or phrasing.