In Celebration of the Human Voice - The Essential Musical Instrument
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German pianist and composer Johannes Brahms is ranked among the masters of the Romantic era. Although he showed talent at the piano at an early age, he spent much of his young life performing rather than composing. Brahms's career was given a boost by composer Robert Schumann (1810-56) and his pianist wife Clara (1819-96); his close relationship with Clara, especially after she was widowed, has been the source of much speculation ever since. The pair exchanged passionate letters and went on holiday together, but Brahms opted to leave her behind to pursue his career and a life of bachelorhood. By the end of the 1860s he'd settled in Vienna, where he lived until his death from cancer in 1897. Musically he maintained the Romantic tradition of Ludwig van Beethoven, in opposition to the rise of composers such as Richard Wagner and Brahms's friend, Franz Liszt. His most famous composition is the lullaby, "Lied Wiegenlied" ("Cradle Song"), popularly known as simply "Brahms' Lullaby." His compositions include German Requiem (1866), Violin Concerto in D (1878) and Piano Concertos in B Flat (1878-81).
Composers - Early Music | Classical | 20th Century | Modern
Displaying 1-32 of 32 items.
Review: with CDs of diction lessons and piano accompaniments; includes historical notes, translations and International Phonetic Alphabet With diction lessons recorded by Irene Spiegelman, German diction coach at the Metropolitan Opera, and piano accompaniments recorded by Laura Ward, this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it, showing flow of the language and mood, followed by a slow, deliberate lesson, allowing time for the student to repeat each line. This experienced language coach adapts the R in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings.
Songlist: Botschaft, Dein blaues Auge, Die Mainacht, Feldeinsamkeit, Immer leiser wird mein Schlummer, Meine Liebe ist, Mondnacht, O liebliche Wangen, Sapphische Ode, Sonntag, Vergebliches, Von ewiger Liebe, Wie Melodien zieht es mir
Voicing: High
Review: This compilation presents 40 of Brahms' most popular vocal works, including Ruhe, Süssliebchen, Wiegenlied ("Cradle Song"), Die Mainacht, Meine Liebe ist grün, and Wie Melodien zieht es mir. An outstanding collection for study as well as performance, it features lyrics in both German and English.
Voicing: High
Review: Scored for mixed chorus, solo voices and full orchestra, this choral masterpiece is Brahms' greatest vocal composition, and one of the most performed works in the religious music repertoire. Instrumentation. Text and Translation.
Review: This 95 page score is taken from a previous Belwin Mills publication. It provides the choir and soloist parts along with a piano reduction of the orchestral parts, with notations, instrument cues, and vocal text in German language. In the Table of Contents an English translation is included. This was to be Brahms' longest work, in 7 movements, and was based on sacred biblical text, in German language, and therefore did not follow the traditional Latin requiem text. Includes: Blessed are they that mourn * Behold, all flesh is as the grass * Lord, make me to know the measure of my days on earth * How lovely is thy dwelling place * Ye are now sorrowful * Here on earth we have no continuing place * Blessed are the dead.
Review: English Edition. This 96 page choral score is taken from a previous Belwin Mills publication. It provides the choir and soloist parts along with a piano reduction of the orchestral parts, with notations, instrument cues, and vocal text in English language. This was to be Brahms' longest work, in 7 movements, and was based on sacred biblical text, originally written in the German language, and therefore did not follow the traditional Latin requiem text. Includes: Blessed are they that mourn * Behold, all flesh is as the grass * Lord, make me to know the measure of my days on earth * How lovely is thy dwelling place * Ye are now sorrowful * Here on earth we have no continuing place * Blessed are the dead.
Review: An a cappela chorus with German text for eight voices, composed by Johannes Brahms.
Review: Throughout his life Brahms harmonized and arranged German folk songs for mixed choir. In these masterful versions the elegant simplicity of the originals always maintained, yet Brahms weaves well-shaped vocal lines and adds delicate harmonies to make polished songs of great charm. In this edition, John Lewers has fashioned highly effective and poetic English singing translations, which adhere to the rhyming scheme of the original. The result is a collection of instantly accessible yet little known repertoire, exploring a variety of scenes and moods, which will appeal to all mixed-voice choirs looking for imaginative concert repertoire. German and English text.
Songlist: The Ardent Suitor, One Day I Went a-Riding, By a Lone Woodland Spring, Saint Emmeran, A Dove So White, A Lullaby Prayer, Saint Raphael, One Quiet Night, Farewell, The Lover's Vision, O Sweet, Delightful Maytime, Morning Song, The Reaper, The Heavenly Hunter, Separation, Awaken!, Invite Me, Sweet Maiden, The Fiddler, Below In the Valley, At Night, Awaken!, A House Stands by a Flowing Stream, Roses and Pearls, The Knight and the Lady, The Young Carpenter, Battle Prayer
Review: Breitkopf & Härtel edition of Brahms's greatest vocal work, fully scored for solo voices, mixed chorus and orchestra. 208 pgs.
Review: A Choral Extended Work for SATB composed by Johannes Brahms.
Review: In 1868, Johannes Brahms decided to compose a romantic song cycle, the 18 "Liebeslieder Wälzer" or "Love Song Waltzes," Opus 52. When published in 1870, they were an instant success, popular with all musicians and singers. This choral score will include choir and soloist parts, in German and in English, with piano accompaniment.
Review: In spite of being well-known as a great composer of large, complex musical works, some of Brahms' most successful works were smaller, more intimate pieces, such as the eighteen "Liebeslieder," or "Love Song Waltzes," Opus 52, for Soli, Chorus and Piano Four-Hand Accompaniment. Choral score with piano duet accompaniment.
Review: A Choral Extended Work for SATB composed by Johannes Brahms.
Review: This volume consists of unaccompanied choral works composed or otherwise arranged by Johannes Brahms for mixed choruses as well as individual men's and women's choruses.
Songlist: Love Songs, New Love Songs, Six Quartets, Three Songs, Seven Songs, Songs and Romances, Five Songs, Five Duets
Review: Brahms' Opus 82, for chorus and orchestra, titled "Nänie" (the German form of the Latin word "nenia," meaning "a funeral song") sets to music a poem by Friedrich Schiller. Brahms composed the piece in 1881, in memory of his deceased friend, Anselm Feuerbach. Choral score with piano accompaniment. Text in German and English.
Review: Edited by Roger Wagner, Neue Liebeslieder Walzer, Opus 65 presents 15 choral pieces in SATB voicing. Titles: Verzicht, o Herz, auf Rettung (Renounce, O heart, all rescue) * Finstere Schatten der Nacht (Perilous darkness of night) * An jeder Hand die Finger (On either hand with pledges) for soprano solo * Ihr schwarzen Augen, ihr durft nur winken (Thosse dark'ning glances, they need bu beckon) for bass solo * Wahre, wahre deinen sohn (Neighbor, neighbor, guard your son) for alto solo * Rosen steckts ir an die Mutter (Mother decked my breast with roses) for soprano solo * Vom Gebirge Well' auf Well' (From the mountain, wave on wave) * Weiche Gräser im Revier (Sheltered softly midst the grass) * Nagen am Herzen (Heartsore and restless) for soprano solo * Ich kose süss mit der und der (I seetly kiss with her and her) for tenor solo * Alles, alles in den Wind (Will, nilly in the wind) for soprano solo * Schwarzer Wald, dein Schatten (Darkest Wood, your shadows) * Nein, Gelibter, setze dich mir (No, beloved, sit not near) duet for soprano and alto * Flammenauge, dunkles Haar (Fervent glances, raven hair) * Zum Schluss: Nun, ihr Musen, genug! (Conclusion: Now, ye Muses, enough)
Review: English Only.
Songlist: Blessed they (Brahms-Requiem), Behold, all flesh (Brahms-Requiem), Lord, make me to know (Brahms-Requiem), How lovely is Thy dwelling (Brahms-Requiem), Ye now are sorrowful (Brahms-Requiem), Here on earth (Brahms-Requiem), Blessed are the dead (Brahms-Requiem)
Review: Brahms wrote the Alto Rhapsody, Op 53, for contralto, male chorus, and orchestra in 1869 as a wedding gift for the daughter of Robert and Clara Schumann. The Rhapsody is a setting of verses from Goethe's "Harzreise im Winter." Choral score in German and English with piano accompaniment.
Review: The seven choral songs, stylistically very diverse, show clear folk music traits together with Brahm's characteristic leanings towards multiple choirs and to polyphonic or canonic writing. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for sound to create the portmanteau word sound together or harmony. The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
Songlist: All' Meine Herzgedanken, Dein Herzlein Mild, Es Geht Ein Wehen Durch Den Wald, Rosmarin, Vergangen Ist Mir Gluck Und Heil, Von Alten Liebesliedern, Waldesnacht
Review: Brahms composed his "Schicksalslied" (Song of Destiny), Opus 54, between 1868 and 1871. It is a short, powerful work for chorus and orchestra. The text is that of Friedrich Holderlin's poem "Hyperions Schicksalslied." Choral score with German and English text and piano accompaniment.
Review: A Choral Extended Work for SSAATTB composed by Johannes Brahms.
Review: Many of Brahms' early choral works are the result of his work in the 1850s as director of a women's choir in Hamburg and the choral society of Detmold. These three sacred choruses are based on rather complex contrapuntal forms: O Bone Jesu is a metric double canon in contrary motion. Adoramus te, Christe is a continuous four-voice canon at the fourth, fifth and octave. Regina coeli is a canon in contrary motion sung by two soloists with choral interjections of Alleluia. Together with an Ave Maria, these comprise Brahms' only published settings of Latin texts. Duration: ca. 3:30.
Songlist: O Bone Jesu, Adoramus te, Christie, Regina coeli
Review: A Choral Extended Work for SSAATTBB Divided Chorus with B Solo composed by Johannes Brahms.
Review: A choral worship collection for SATBB, composed by Johannes Brahms. Titles: 1. Es ist das Heil uns kommen her * 2. Schaffe in mir, Gott, ein rein Herz.
Review: This charming disc presents a comprehensive selection of Brahms's secular choral music. Through his professional activities, Brahms had a continuous interest in producing music for choirs, as well as profound insight into their capabilities. His impressive output of a cappella sacred choruses and motets makes learned and creative reference to such Baroque masters as Gabrieli, Schutz and Bach. Yet Brahms was equally adept in the traditions of the unaccompanied Romantic choral song, the Chorlied, following the lead of Schubert, Mendelssohn and Schumann, and adapting the form to his own characteristic ends. He also wrote a large number of vocal duets and quartets with piano accompaniment, including the popular Zigeunerlieder, which are testimony to his extraordinary fascination for gypsy music and its fertilizing effect on his style.
Songlist: Sechs Lieder und Romanzen, Drei Quartette, Funf Gesange, Zigeunerlieder, Dem Dunkeln Schoss der Heil'gen Erde
Review: The best known choral piece by Brahms is his German Requiem. Since his teenage years he was involved with choral groups and continued to work with them throughout his life. He wrote numerous songs for a cappella ensembles as well as with accompaniment. The most familiar of these pieces is the Zigeunerlieder, op. 103. These Gypsy songs are usually performed by a soloist and piano, but were originally written for a quartet. This phenomenal recording by the Danish National Radio Choir highlights some of Brahms' work in the choral genre.
Songlist: Drei Gesange, Op. 42, Funf Gesange, Op. 104, Vier Gesange, Op. 17, Sechs Quartette, Op. 112, Zigeunerlieder, Op. 103
Review: The German-born Brahms (1833-1897) is considered one of the greatest Romantic composers, while the Danish National Radio Choir (Stefan Parkman, Chief Conductor) is one of the most respected European Choirs performing today. Their pure yet robust sound is a fine complement to the mastery of form that Brahms' works display. Indeed, one of the distinguishing characteristics of his style was his fascination with the contrapuntal forms so often identified with the Baroque and pre-Baroque era: canon, motet, fugue, and the variations thereof. It was accepted at that time to use a folk song or other well-known melody as the basis for the composer's own originality, which was demonstrated through his technical facility and manipulation of accepted idioms. A series of "Marienlieder" comprise a third of the recording, along with seven motets and three compositions commissioned for the Hamburg Industrial Exhibition of 1889. A recording of excellent virtue.
Songlist: Marienlieder, Op. 22:, Der englische Gruss, Marias Wallfahrt, Der jager, Ruf zur Maria, Magdalena, Marias Lob, Two Motets, Op. 29:, Es ist das Heil uns kommen her, Schaffe in mir, Gott, ein rein Herz, Two Motets, Op. 74:, Warum ist das Licht gegeben dem Muhseligen?, O Heiland, reiss die Himmel auf, Fest-und Gedenkspruche, Op. 109:, Unsere Vater hoften auf dich, Wenn ein starker Gewappneter, Wo ist ein so herrlich Volk, Three Motets, Op. 110:, Ich aber bin elend, Ach, arme Welt, Wenn wir in hochsten Noten sein
Review: This collection opens with a group of four songs scored for three-part women's chorus and the unusual combination of two horns and harp. They are settings of an interesting spread of poems including one by Ossian and the Clown's song from the thrid act of Twelfth Night. Other items include Three Songs Op. 42, Two Motets, Op. 29 and, to finish with, one of the songs from Brahms much loved "Neue Liebeslieder Waltzes", Op. 65.
Songlist: Four Songs for Women's Chorus, 2 Horns and Harp, Op. 17, Three Songs, Op. 42, Four Quartet, Op.92, Two Motets, Op. 29, Op. 112, Nos. 1 and 2, Five Songs, Op. 104, Neue Liebeslieder, Walzer, Op. 65, No. 15
Review: (Ger/Eng) Contents: Aeolian Harp - Am Sonntag Morgen - An Den Mond - An Die Nachtigall - An Ein Veilchen - Auf Dem Schiffe - Bei Dir Sind Meine Gedanken - Botschaft - Damm'rung Senkte Sich Von Oben - Der Gang Zum Liebchen - Der Jager - Der Tod, das ist Die Kuhle Nacht - Die Kranze - Die Mainacht - Erinnerung - Es Hing Der Reif - Feldeinsamkeit - Immer Leiser Wird Mein Schlummer - In Waldeseinsamkeit - Komm Bald! - Kommt Dir Manchmal in Den Sinn - Lerchengesang - Liebestreu - The Little Sandman - Madchenlied - Meine Liebe ist Grun - Meine Lieder - Minnelied - Nachtigall - O Kuhler Wald - O Lieliche Wangen - O Wusst' Ich Doch Den Weg - Parole - Rothe Abendwolken Zieh'n - Ruhe, Sussliebchen - Sapphische Ode - Schmied - Sehnsucht - Wiegenlied - Sonntag - Standchen - Therese - Trennung - Treue Liebe - Vergebliches Standchen - Verrath - Von Ewiger Liebe - Wie Bist Du, Meine Konigin - Wie Melodien Zieht Es Mir - Wir Wandelten.
Songlist: Minnelied (Love Song), Op. 71, No. 5, Therese (Theresa), Op. 86, No. 1, Am Sonntag Morgen (On Sunday Morning), Op. 49, No. 1, Sonntag (Sunday), Op. 47, No. 3, In Waldeseinsamkeit, Op. 85, No. 6, Botschaft (The Message), Op. 47, No. 1, Feldeinsamkeit (In Summer Fields), Op. 86, No. 2, Immer Leiser Wird Mein Schlummer, Op. 105, No. 2, Die Mainacht (The May Night), Op. 43, No. 2, Meine Liebe Ist Grun (My Love Is Green), Op. 63, No. 5, O Kuhler Wald (O Shady Wood), Op. 72, No. 3, O Wusst' Ich Doch Den Weg Zuruck, Op. 63, No. 8, Sapphische Ode (Sapphic Ode), Op. 94, No. 4, Der Schmied (The Smith), Op. 19, No. 4, Standchen (Serenade), Op. 106, No. 1, Vergebliches Standchen (The Vain Suit), Op. 83, No. 4, Von Ewiger Liebe (Love Lasts), Op. 43, No. 1, Wie Bist Du, Meine Konigin, Op. 32, No. 9, Wiegenlied (Sleep, Gently Sleep), Op. 49, No. 4, Wie Melodien Zieht Es Mir, Op. 105, No. 1, Wir Wandelten (We Walked One Day), Op. 96, No. 2, Liebestreu, (Faithfulness), Op. 3, No. 1, Sandmannchen (The Little Sandman), WoO 31, No. 4, Meine Lieder (My Songs), Op. 106, No. 4, Der Jager (The Huntsman), Op. 95, No. 4, Treue Liebe (True Love), Op. 7, No. 1, An Eine Aeolsharfe (To An Aeolian Harp), Op. 19, No. 5, An Den Mond (To The Moon), Op. 71, No. 2, An Die Nachtigall (To A Nightingale), Op. 46, No. 4, An Ein Veilchen (To A Violet), Op. 49, No. 2, and more.
Voicing: Low
Review: This is the largest collection of Brahms songs commercially available. Historical notes on all songs address compositional context in the composer's career, remarks about the poets and early performance history. A new translation appears on the first page of each song. New musical research, clear new engravings make this a distinguished source of song literature.
Songlist: Serenade, Sehnsucht, Ach, wende diesen Blick, Am Sonntag Morgen, Alte Liebe, An die Nachtigall, An eine Aeolsharfe, Auf dem Kirchhofe, Blinde Kuh, Botschaft, Dämmrung senkte sich von oben, Das mädchen spricht, Dein blaues Auge, Der Frühling, Der Gang zum Liebchen, Der Jäger, Der Schmied, Der Tod, das ist die kühle Nacht, Des Liebsten Schwur, Die Liebende schreibt, Die Mainacht, Erinnerung, Es hing der Reif, Es liebt sich so lieblich im Lenze, Es schauen die Blumen, Es träumte mir, Feldeinsamkeit, Geheimnis, Im Gartne am Seegestade, Immer leiser wird mein Schlummer, and more.
Voicing: High
Review: This is the largest collection of Brahms songs commercially available. Historical notes on all songs address compositional context in the composer's career, remarks about the poets and early performance history. A new translation appears on the first page of each song. New musical research, clear new engravings make this a distinguished source of song literature.
Songlist: Serenade, Ach, wende diesen Blick, Am Sonntag Morgen, Alte Liebe, An die Nachtigall, An eine Aeolsharfe, Auf dem Kirchhofe, Blinde Kuh, Botschaft, Dommrung senkte sich von oben, Dein blaues Auge, Der Frühling, Der Gang zum Liebchen, Der Jäger, Der Schmied, Der Tod, das ist die kühle Nacht, Die Mainacht, Erinnerung, Es hing der Reif, Es liebt sich so lieblich im Lenze, Es schauen die Blumen, Es träumte mir, Feldeinsamkeit, Geheimnis, Im Gartne am Seegestade, Immer leiser wird mein Schlummer, In der Fremde, Juchhe!, Lerchengesang, Liebestreu, and more.
Voicing: Low
Displaying 1-50 of 185 items.
Song Name | Arranger | Composer | Artist | Item Title | Format | Trax | |
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"Selig sind die Toten" from Ein deutsches Requiem | Johannes Brahms | Robert Shaw | Great Choral Classics | 1 CD | MORE DETAILS | ||
- Alles, alles in den Wind | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Finstere Schatten der Nacht | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Flammenauge, dunkles Haar | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Ihr schwarzen Augen, ihr durft nur winken | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Nagen am Herzen | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Nein, Geliebter, setze dich mir | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Rosen steckt mir an die mutter | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Schwarzer Walk, dein Schatten | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Verzicht, o Herz, auf Retung | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Vom Gebirge Well' auf Well' | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Weiche Graser im Revier | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
- Zum Schluss: Nun, ihr Musen, genug! | Johannes Brahms | University of Miami Chorale | Love Of My Soul | 1 CD | MORE DETAILS | ||
A Brahms Suite | Johannes Brahms | A Brahms Suite | Sheet Music (SATB) | MORE DETAILS | |||
Abendstandchen | Johannes Brahms | Robert Shaw Festival Singers | A Cappella | 1 CD | MORE DETAILS | ||
Abschiedslied | Johannes Brahms | Die Singphoniker | Deutsche Volkslieder - German Folksongs | 1 CD | MORE DETAILS | ||
Ach, arme Welt | Johannes Brahms | John Rutter (Editor) | European Sacred Music | Songbook | MORE DETAILS | ||
Ach, arme Welt, du trugest mich | Johannes Brahms | Gloriae Dei Cantores | Eternal Light | 1 CD | MORE DETAILS | ||
Adoramus te Christe | Johannes Brahms | Judith Blezzard (Editor) | 30 Sacred Masterworks for Upper Voices | Songbook | MORE DETAILS | ||
All' mein' Gedanken, die ich hab | Johannes Brahms | Die Singphoniker | Deutsche Volkslieder - German Folksongs | 1 CD | MORE DETAILS | ||
Altes Volkslied | Johannes Brahms | Die Singphoniker | Deutsche Volkslieder - German Folksongs | 1 CD | MORE DETAILS | ||
Am Gesteine rauscht die Flut | Johannes Brahms | Luther College Nordic Choir | Everlasting God | 1 CD | MORE DETAILS | ||
Am Gesteine Rauscht die Flut | Johannes Brahms | Cuesta College Chamber Singers | Incantations | 1 CD | MORE DETAILS | ||
Am Wildbach Die Weiden, Op. 44, No. 9 | Johannes Brahms | Melodia Women's Choir | Songs From The Heart | 1 CD | MORE DETAILS | ||
Angels Did Sing | Johannes Brahms | Bella Voce Women's Chorus | Christmas Joy | 1 CD | MORE DETAILS | ||
Ave Maria | Johannes Brahms | Minnesota Boychoir | 35th Anniversary | 1 CD | MORE DETAILS | ||
Ave Maria | Johannes Brahms | Harvard University Choir | Carols From The Yards | 1 CD | MORE DETAILS | ||
Ave Maria | Johannes Brahms | Women's Chorus of Dallas | Our Turn | 1 CD | MORE DETAILS | ||
Ave Maria | Johannes Brahms | Toronto Children's Chorus | How Sweet The Sound | 1 CD | MORE DETAILS | ||
Ave maria, Opus 12 | Johannes Brahms | Ragazzi Boys Chorus | A Holiday Collection | 1 CD | MORE DETAILS | ||
Brahms in Love | Johannes Brahms | VocalEssence with Garrison Keillor | Hymn to Potatoes | 2 CDs | MORE DETAILS | ||
Brahms' Lullaby | Johannes Brahms | Cantabile - The London Quartet | Madrigal to McCartney | 1 CD | MORE DETAILS | ||
Burschenlust - Der Mai ist gekommen (Silcher Friedrich) | Johannes Brahms | Die Singphoniker | Deutsche Volkslieder - German Folksongs | 1 CD | MORE DETAILS | ||
Classical and Romantic Music - No. 23 Ach, arme Welt | Johannes Brahms | David P. DeVenney | Conducting Choirs Vol 2 - Music For Classroom Use | Book & 1 CD | MORE DETAILS | ||
Come and Dance with Me (Vergebliches Standchen) | Norman Luboff | Johannes Brahms | Come and Dance with Me (Vergebliches Standchen) | Sheet Music (SATB divisi) | MORE DETAILS | ||
Crashing Waters from on High | Johannes Brahms | Crashing Waters from on High | Sheet Music (SATB) | MORE DETAILS | |||
Create in Me, O God (Schaffe in mir, Gott) | Johannes Brahms | Create in Me, O God (Schaffe in mir, Gott) | Sheet Music (SATBB) | MORE DETAILS | |||
Da Unten Im Tale | Johannes Brahms | Various Composers | German Romantic Partsongs | Songbook | MORE DETAILS | ||
Da unten im Tale | Johannes Brahms | Die Singphoniker | Deutsche Volkslieder - German Folksongs | 1 CD | MORE DETAILS | ||
Da Unten Im Tale / In Stiller Nacht | Johannes Brahms | Johannes Brahms | Da Unten Im Tale / In Stiller Nacht | Sheet Music (SATB) | MORE DETAILS | ||
Dein Herzlein Mild | Johannes Brahms | Various Composers | German Romantic Partsongs | Songbook | MORE DETAILS | ||
Dem Dunkeld Schoss Der Heilgen Erde | Johannes Brahms | Various Composers | German Romantic Partsongs | Songbook | MORE DETAILS | ||
Dem Dunkeln Schoss der Heil'gen Erde | Johannes Brahms | Consortium | Johannes Brahms | 1 CD | MORE DETAILS | ||
Die Berge Sind Spitz, Op. 44, No. 8 | Johannes Brahms | Melodia Women's Choir | Songs From The Heart | 1 CD | MORE DETAILS | ||
Die Mainacht | Johannes Brahms | Joan Frey Boytim | The Second Book of Mezzo-Soprano / Alto Solos Part II | Songbook & CD | MORE DETAILS | ||
Die Mainacht | Chester L Alwes | Johannes Brahms | Die Mainacht | Sheet Music (SSAA) | MORE DETAILS | ||
Die Mainacht (The May Night) | James McCullough | Johannes Brahms | Die Mainacht (The May Night) | Sheet Music (TTBB) | MORE DETAILS | ||
Die Mainacht (The May Night) | James McCullough | Johannes Brahms | Die Mainacht (The May Night) | Sheet Music (SSAA) | MORE DETAILS | ||
Die Mainacht (The May Night) | James McCullough | Johannes Brahms | Die Mainacht (The May Night) | Sheet Music (SATB) | MORE DETAILS | ||
Die Meere | John Leavitt | Johannes Brahms | Die Meere | Sheet Music (2-Part) | MORE DETAILS |
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