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My Bonny Lass She Smileth

Music by Thomas Morley

My bonny lass she smileth is a famous English ballett, written by Thomas Morley and published in 1595 in his First Book of Balletts to Five Voices. A ballett was the English form of the Italian balletto, a light, homophonic, strophic song for three or more singers, distinguished by dance-like rhythms and "fa-la-la" refrains. It is based on an Italian madrigal, published by Gastoldi in 1591.

    Release Date: 1595


My Bonny Lass She Smileth

My Bonny Lass She Smileth

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonation and blend.

Voicing: SSATB



Songbooks, Arrangements and/or Media

Displaying 1-2 of 2 items.


Clifford Bartlett : Madrigals and Partsongs : Mixed 5-8 Parts : Songbook : 9780193436947

Clifford Bartlett : Madrigals and Partsongs

This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case.

Songlist: Dindirin, dindirin, Il bianco e dolce cigno, Of all the birds that I do know, All creatures now, Nachtwache No. 1, The Evening Primrose, Never weather-beaten sail, So weich und warm, Trois chansons de Charles d'Orleans, To be sung of a summer night on the water, Come, heavy sleep, Can she excuse my wrongs, Weep You No More, Sad Fountains, As torrents in summer, My love dwelt in a Northern land, There is sweet music, Fair Phyllis I saw sitting all alone, My spirit sang all day, Since first I saw your face, Lieto godea, Amor vittorioso, Ah, dear heart, The silver swan, What is our life?, Tanzen und springen, Ach, Weh des Leiden, Die Harmonie in der Ehe, Innsbruck, ich muss dich lassen, Farewell, dear love, Mille regrets, and more

More details
Voicing: Mixed 5-8 Parts | 9097b | Songbook | $24.45 | Primarily a cappella


Morten Schuldt-Jensen : English Madrigals 1 : SAM : Songbook : 196288032687 : 1705157793 : 00394429

Morten Schuldt-Jensen : English Madrigals 1

This collection features five of the most popular choral works from the English Madrigal School, a brief period from the 1580s to the 1620s that followed the arrival of Italian secular polyphony on English shores. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for sound to create the portmanteau word sound together or harmony. The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.

Songlist: Since First I Saw Your Face, Weep, O Mine Eyes, April Is In My Mistress' Face, My Bonny Lass She Smileth, Come Again, Sweet Love

More details
Voicing: SAM | 12140b | Songbook | $7.95 | A Cappella


Individual Folios

Displaying 1-3 of 3 items.


My Bonny Lass She Smileth : SSATB : Thomas Morley : Thomas Morley : Songbook : 312-41492 : 680160048670

Thomas Morley : My Bonny Lass She Smileth

Composer: Thomas Morley

More details
Voicing: SSATB | Sheet Music | $2.25 | A Cappella |
(Minimum order 4 copies)
| 312-41492


My Bonny Lass She Smileth : TB : Carol Kelley : Thomas Morley : Sheet Music : 08551793 : 073999785883

Carol Kelley : My Bonny Lass She Smileth

A perfect introduction to English madrigals, this arrangement is easily learned by younger or beginning choirs. Fun!Available separately: TB. Performance Time: Approx. 1:30.

Arranger: Carol Kelley | Composer: Thomas Morley

More details
Voicing: TB | Sheet Music | $1.60 | With Piano |
(Minimum order 4 copies)
| 08551793


My Bonny Lass She Smileth : SSATB : John Leavitt : Thomas Morley : Sheet Music : 00201332 : 888680653927

John Leavitt : My Bonny Lass She Smileth

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonation and blend.

Arranger: John Leavitt | Composer: Thomas Morley

More details
Voicing: SSATB | Sheet Music | $2.10 | A Cappella |
(Minimum order 4 copies)
| 00201332 | Digital Version Available

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