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Marcels

Marcels

Group.

The Marcels were a doo-wop group known for turning American classical pop songs into rock and roll. The group formed in 1959 in Pittsburgh, Pennsylvania, and signed to Colpix Records, with lead Cornelius Harp, bass Fred Johnson, Gene Bricker, Ron Mundy, and Richard Knauss. The group was named by Fred Johnson's younger sister Priscilla, after a popular hair style of the day, the marcel wave. In 1961 many were surprised to hear a new version of the ballad "Blue Moon" that began with the bass singer saying, "bomp-baba-bomp" and "dip-da-dip." The record sold over one million copies, and was awarded a gold disc. It is featured in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

The disc went to number one in the U.S. Billboard Hot 100, and UK Singles Chart. In the U.S., additional revivals in the same vein as "Blue Moon" - "Heartaches" and "Melancholy Baby" - were less successful, although "Heartaches" peaked at No. 7 on the Billboard Hot 100 and eventually sold over one million copies worldwide.

In August 1961, due to problems encountered in the Deep South while touring because of the group being bi-racial, the white members, Knauss and Bricker left and were replaced by Allen Johnson (brother of Fred) and Walt Maddox. Mundy left soon after, leaving the group a quartet.

In 1962, Harp and Allen Johnson left, and were replaced by Richard Harris and William Herndon. There was a brief reunion of the original members in 1973. The group made several recordings in 1975 with Harp back on lead. Original member Gene Bricker died in 1983. Allen Johnson died in 1995. By the early 1990s the group included Johnson, Maddox, Harris, Jules Hopson, and Richard Merritt.

The group split around 1995. Fred Johnson formed his own group with new members, while the other four members recruited new bassist Ted Smith. Maddox won a lawsuit against Sunny James Svetnic, the manager of Johnson's group, for trademark infringement in 1996.(citation needed) Johnson reunited with Harp, Mundy, and Knauss in 1999 for the PBS special Doo Wop 50.

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