Review: Finnish composer Jaakko Mantyjarvi (b. 1963) writes some of today's more innovative choral music. It's not only creatively interesting but it also maintains the qualities of tonal/harmonic accessibility and text-centered immediacy that allows it to register with a broad spectrum of listeners. His collections of Shakespeare Songs, More Shakespeare Songs, and No More Shakespeare Songs show a composer at once in love with his subject and fully in tune with his audience - and one clearly in possession of a sense of humor! On this recording we hear a profoundly serious work, in memory of the victims of a terrible Baltic Sea tragedy in September, 1994, in which the luxury ferry Estonia sank in a storm, killing 852 passengers. Canticum Calamitatis Maritimae incorporates elements of Psalm 107 ("They that go down to the sea in ships...") with news accounts of the disaster (taken from a Latin-language Finnish radio broadcast), employing dramatic, rich-textured choral utterances (including the whispered prayers of the opening and closing bars) along with chant-inspired passages and an occasional folk-song-like melody, all of which culminates in an extended passage of beautiful and often surprising harmonies, ideally defining the text at the end of the Psalm: "He maketh the storm a calm, so that the waves thereof are still..." This is a moving and memorable work, one that these choirs perform with care and confidence under Charles Bruffy's artful direction. Frank Martin's Mass for double choir has been recorded many times--and mostly very well--and this is another fine rendition of a work that seems to register its "classic" credentials more impressively every time you hear it. Rene Clausen's In pace, cut from the same vibrant-colored harmonic cloth as the Ticheli, is another work that deserves repertoire status, and again, Bruffy's singers perfectly capture its nuances of texture and dynamics and give full measure to the big sonorities. The complementary acoustics of Camelback Bible Church in Paradise Valley, Arizona, expertly recorded for this hybrid SACD, complete a program that should have strong appeal to all choral music fans.

Songlist: Cabticum Calamitatus Maritimae, There Will Be Rest, In Pace, Messe Pour Double Choeur

Review: Founded in 1958 as the Bach and Madrigal Society, the Choir originally focused on Renaissance and baroque period music, but today is equally dedicated to the creation and performance of new music. They are conducted by Charles Bruffy, one of the most highly respected choral conductors in the US. The CD features 23 songs, beginning with 7 cuts from Matthew Harris' "Shakespeare Songs," and 5 "Songs of Ariel from Shakespeare's 'The Tempest.' Steven Sametz' lovely "When He Shall Die," Jaakko Mantyjarvi's "Four Shakespeare Songs," Nils Lindberg's minor-key "Shall I Compare Thee to a Summer's Day," Dominick Argento's "Sonnet No. LXIV," Alan Murray's "O mistress mine," and the CD finishes strong with Ralph Vaughan Williams' "Three Shakespeare Songs." The Choir beautifully takes us into the drama, moodiness, pathos, romance and celebration of these songs, most of which are new to our ears. A worthy project, and a winning CD for Bruffy and his talented Phoenix Bach Choir! Extensive, colorful liner notes.

Songlist: Shakespeare Songs, The Tempest, When He Shall Die, Four Shakespeae Songs, Shall I compare thee to a summer's day?, Sonnet No. LXIV, O mistress mine!, Three Shakespeare Songs

Review: The Phoenix Bach Choir four years ago premiered Milagros de Navidad, a Christmas cycle for choir as a way of marking the holiday season in a Southwestern accent. In this recording, the choir has made Milagros the lead item in a superbly produced and packaged yuletide CD from an emerging Arizona label, Soundset. Jon Washburn conducts the ensemble of Frank Koonce, guitar; Mark Sunkett, percussion; and the choir with select soloists. In this sonically clean and vibrant recording, Milagros is a compendium of yuletide songs lovingly sung in Spanish and English, with running commentary from guitarist Koonce. Robert Tree Cody, on Native American Flute (the instrument of choice this season, it seems), is also heard here, in Washburn's own Noel Sing We, a kind of American Indian-haunted holiday landscape.

Songlist: Milagros de Navidad, Los Reyes de Oriente, Angels we have heard on high, A la nanita nana (Lullaby), Alla en el portal (Away in a manger), Noche de paz (Silent night), Fum fum fum, Noel Sing We, Magnificat secundi toni, Lo, how a rose e're blooming, The Star, I wonder as I wander, How brightly shines the morning star, Rise up, shepherd, an' follow, Weihnachtslieder