The Finzi Singers were founded by Paul Spicer in 1987 for a Festival of the British Music given under the auspices of the Finzi Trust. They are now regarded as the major exponent of British twentieth-century choral music in which they specialize. The choir presents original and interesting programmes with a special emphasis on contemporary repertoire. Commissioned works and first performances include music by Michael Berkeley, Judith Bingham, John Joubert, David Matthews, Stephen Pratt, Jeremy Dale-Roberts, John Tavener and James Wishart. Concerts and recordings alike have met with considerable critical acclaim.
Paul Spicer began his musical training as a chorister at New College, Oxford. He studied with Herbert Howells and Richard Popplewell at the Royal College of Music in London, winning the Walford Davies Organ Prize in his final year (the top award). He taught music for ten years from 1974 at Uppingham School and Ellesmere College before becoming a Producer for BBC Radio 3 in 1984, and Senior Producer for the Midlands Region in 1986 based in Birmingham. In 1990 he became Artistic Director of the Lichfield International Arts Festival, and also Director of the Abbotsholme Arts Society, posts he relinquished in July 2001 in order to pursue a completely freelance musical career.
To Daffodils The Succession Of The Four Sweet Months Marsh Flowers The Evening Primrose Ballad Of Green Broom St. Godric's Hymn I Mon Waxe Wod Lenten Is Come The Long Night Yif Ic Of Luve Can Carol Ye That Passen By A Death Theme: A Boy Was Born Variation I: Lullaby, Jesu Variation II: Herod- Variation III: Jesu, As Thou Art Our Saviour Variation IV: The Three Kings Variation V: In The Bleak Mid-Winter Variation VI: (Finale): Noel |
Britain's Finzi Singers, under the direction of Paul Spicer, specialize in
twentieth-century British choral music. This CD, the third in a series featuring
an all-Britten program, includes one of his earliest works, written while he
was at the Royal College of Music and experimenting with serial procedures:
"A Boy Was Born." One of his last compositions, "Sacred and Profane,"
written the year before his death in 1976, is a cyclic setting of verse from
the 12th and 14th centuries. Also included are "Five Flower Songs"
(1942) and "Advanced Democracy" (1938, reflecting the political unrest
in Europe). As is typical of contemporary classical, the sound can be tonally
ambigious, stylistically discordant and disturbing, though expertly realized.
6471 CD $15.98 |
Jubilate Deo Te Deum Antiphon, Op. 56b Missa Brevis, Op. 63 A Wedding anthem, Op. 46 Sweet Was the Song the Virgin Sung A ceremony of carols, Op. 28 Festival Te Deum, Op. 32 Jubilate Deo |
The second installment of the Britten Choral Edition opens with the spirited
and little-known Jubilate in E flat (1934), and gives great pleasure throughout.
The opening of the Te Deum, for instance, is energetic in its precision. The
opening of the Sanctus in the Missa brevis similarly bears an extra splendour
of tone and movement. Sweet was the Song the Virgin sang (1931 and second term
at the RCM) has an uncanny sureness of touch, and "Thou art the King of glory"
erupts with color vitality in rhythm. The Missa brevis too gains with each listen,
although Gramophone (Augsut, 1998) reminds of us to question of the use of women's
voices instead of boys'. "Something is lost, even here, and going back to Britten's
own recording of the Ceremony of Carols with the Copenhagen Boys' Choir (odd
as they often sound to our ears) one again misses something distinctive on return
to the ladies whether of the Finzi Singers or The Sixteen."
6891 CD $15.98 |
Hymn to St Peter, Op. 56a A Hymn of St. Columba A Hymn to the Virgin Hymn to St Cecilia, Op. 27 Rejoice in the Lamb, Op. 30 Choral Dances from Gloriana A.M.D.G. |
This is the first volume of the Britten Choral Edition series. The recital
opens with four masterful hymns that exhibit Britten's creativity, including
the Hymn of St Columba (1962) and the Hymn to the Virgin (1930), which serve
as testaments to the skill he possessed at age 16. The recording continues on
to the frequently-recorded Rejoice in the Lamb (1943), the delightful Choral
Dances from "Gloriana" and concludes with A.M.D.G. The Finzi Singers' Britten
Choral Edition cannot escape comparrison to (if not competition with) the three-disc
Britten set previously released by The Sixteen. In regard to the two series,
as weighed in a review by Gramophone (August, 1998), "there is no clear-cut
decision. Balance differs somewhat in the two recordings, The Sixteen having
a fuller, more sonorous presence, the Finzis giving more prominence to the organ
in accompanied items. Andrew Lumsden's contribution may indeed help to tip the
balance further in the Finzis' favour for he is constantly bringing out something
in colour or rhythm that adds flavour and distinction."
6876 CD $15.98 |
The Dark-Eyed Sailor The Springtime Of The Year Just As The Tide Was Flowing The Lover's Ghost Wassail Song Ave Maria, Op. 9b Valiant For Truth O Vos Omnes The Evening-Watch, Op.43, No 1 O Taste And See The Souls Of Righteous This Have I Done For My True Love, Op. 34, No. 2 Nunc Dimittis Sing Me The Men, Op. 43, No. 2 Full Fathom Five The Cloud-Capp'd Towers Over Hill, Over Dale O Lady, Leave That Silken Thread Soft And Gently The Autumn Is Old Winter And The Birds The Turtle Dove |
As directed by Paul Spicer, this English mixed ensemble has devoted themselves
to the promulgation of British choral works. The relatively obscure Gustav Holst
composed during the turn of the century, whereas Vaughan Williams began his
career slightly later, by collecting English folk songs, ultimately accumulating
over eight hundred! Later, Williams wrote various pieces for royal occasions
and the like, such as "The Souls Of The Righteous" to dedicate the Battle Of
Britain chapel. Sometimes dark and mournful ("Valiant For Truth"), hearty and
powerful ("Sing Me The Men"), eerie and captivating ("Full Fathom Five") or
gentle and pure ("O Lady, Leave That Silken Thread"), this collection is always
uncompromised in excellence.
6472 CD $15.98 |
Coronation Te Deum Set me as a Seal upon thine Heart Jubilate Deo Four Christmas Carols: -Make we joy now in this Fest -What Cheer? -King Herod and the Cock -All this time The Twelve Magnificat and Nunc Dimittis: -Magnificat -Nunc Dimittis A Litany Missa Brevis: -Kyrie -Sanctus and Benedictus -Agnus Dei -Gloria Cantico del Sole Antiphon |
This is another exemplary addition to the Finzi Singers' ever-expanding discography.
The earliest offerings here include "Even Such Is Time," an unpublished effort
from 1913, and spans all the way to 1970, with "and Thee I Will Love," a heartfelt
setting from 1970 with words by Robert Bridges, "commemorating the massacre
of the monks of the Abbey of Medehamstede - now Peterborough Cathedral - in
AD 870". As we have now come to expect from this partnership on record, these
are splendidly fervent, finely disciplined performances (one readily forgives
the occasional raw sonority from the sopranos). Excellent Chandos engineering,
too. A hearty recommendation.
6894 CD $15.98 |
O Happy Eyes Love My Love Dwelt in a Northern Land Yea, Cast me from Heights of the Mountains Whether I Find Thee Aver Many a Dusty Mile It's Oh! to be a Wild Wind Feasting I Watch There is Sweet Music Deep in My Soul O Wild West Wind! Owls (An Epitaph) The Shower The Fountain Death on the Hills Op. 72 Love's Tempest Serenade How Calmly the Evening Weary Wind of the West Wvening Scene The Prince of Sleep Go, Song of Mine Op. 57 |
This is another in a series of Christian church choral works of relatively
unknown British composers, performed by the 20-strong mixed choral group founded
and directed by Paul Spicer. Sir William Walton lived on the island of Ischia,
near Naples, Italy, in a lush, subtropical house and grounds, created by his
wife Susana and himself, who had no children and made the estate and Walton's
music their life's work. 18 of Walton's finest works are presented here, some
with full, magnificent organ behind the voices, some a cappella--all have stature,
be it an exquisite miniature like "Set Me as a Seal upon thine Heart," or a
major score like "The Twelve," surely, with "Where does the Uttered Music Go?"
his two finest works. There are 4 lovely Christmas carols, "Make we joy now
in this Fest," "What Cheer?," "King Herod and the Cock" and "All this time."
The Singers do seemingly effortless justice to some difficult, demanding work
by this surprising, mostly self-taught British genius. All lyrics and information
are in the extensive liner notes.
6893 CD $15.98 |
Behold, O God our Defender Here is the Little Door Sing Lullaby A Spotless Rose Te Deum The Scribe Thee will I Love Blessed are the Dead Even Such is Time Inheritance Heac Dies God is Gone Up |
This is another exemplary addition to the Finzi Singers' ever-expanding discography.
The earliest offerings here include "Even Such Is Time," an unpublished effort
from 1913, and spans all the way to 1970, with "and Thee I Will Love," a heartfelt
setting from 1970 with words by Robert Bridges, "commemorating the massacre
of the monks of the Abbey of Medehamstede - now Peterborough Cathedral - in
AD 870". As we have now come to expect from this partnership on record, these
are splendidly fervent, finely disciplined performances (one readily forgives
the occasional raw sonority from the sopranos). Excellent Chandos engineering,
too. A hearty recommendation.
6894 CD $15.98 |
Mass in the Doriam Mode: I Kyrie II Gloria in Excelsis III Credo IV Sanctus V Benedictus VI Osanna VII Agnus Dei I VIII Agnus Dei II Salve Regina O salutaris Hostia Sweeest of sweets Come, my soul Antiphon Nunc dimittis Regina caeli Mass for Double Choi I Kyrie eleison II Gloria III Sanctus IV Benedictus V Agnus Dei |
In a series focusing on sacred 20th century choral works of British composers,
the 20-strong mixed choral group The Finzi Singers, founded and directed by
Paul Spicer, have presented some brilliant works by relatively unknown composers.
Herbert Howells, described as "the central composer for the 20th century Anglican
liturgy," is hardly unknown, but here are early works for the church that were
believed lost up until very recently. Included are 15 of Howells' songs, including
the 8 soaring movements of "Mass in the Dorian Mode, "Salve Regina," "O salutaris
Hostia," "Sweetest of Sweets," "Come My Soul," "Antiphon," Nunc dimittis" and
Regina caili," Following are works by Bernard Stevens, like Howells, closely
associated with the Royal College of Music. The 5 movements of his 1939 "Mass
for Double Choir," "Kyrie eleison," "Gloria," "Sanctus," "Benedictus" and "Agnus
Dei" are striking works by a brilliant composer whose works are under-performed
and under-recognized today. The Finzi Singers are one of the best church choirs
we've heard, and they have recorded a very special CD. The extensive liner notes
have all lyrics and information about the composers.
6875 CD $15.98 |
Prayer to the Father of Heaven A Sequence for St Michael A Vision of Aeroplanes The House of the Mind Lord, Thou hast been our Refuge Requiem: I Salvator mundi II Psalm 23 III Requiem aeternam (1) IV Psalm 121 V Requiem aeternam (2) VI I heard a voice from heaven |
Here is another excellent record by the Finzi Singers in a series which is
proving as valuable as anything in the current lists. They have standards in
their choice of music as in their manner of performance, and everything they
have undertaken in their recordings has been in a tradition of good workmanship
and good taste. This present programme, with its alternation of works by Howells
and Vaughan Williams, illustrates the individuality of both composers as well
as the shared possession of a culture deeply loved and richly imbued. All are
finely caught in these performances, not least the aeroplanes in Harry Bickett's
imaginative registration and skilful playing. Choral tone, the work of soloists
drawn from the choir, recorded sound, written presentation, all are admirable
features of a highly recommendable disc.
6895 CD $15.98 |
God's Grandeur What Love if This of Thine? Give Me the Wings of Faith Crucifixus pro obis, Op. 38 Lully, Lulla, Thou Little Tiny Child, Op. 25b Mass, Op. 44 Laudate pueri, Op. 68 |
The Finzi Singers are a 20-strong, mixed British choral group, founded by Paul
Spicer in 1987 for a Festival of British Music given under the auspices of the
Finzi Trust. They are now regarded as the major exponents of British 20th-century
choral music, in which they specialize. For the Chandos label, the Finzis are
recording a wide variety of British music, much of which has never been heard
before. This is the music of Kenneth Leighton (1929-1988) all eclectic, powerful
Christian choral music, 8 songs in five groups: "God's Grandeur," "What Love
Is This Of Thine?," "Give Me the Wings of Faith," "Crucifixus pro nobis, Op.
38," which has four parts, "Christ in the Cradle," "Christ in the Garden," "Christ
in His Passion," and "Hymn," and "Lully, Lulla, Thou Little Tiny Child" first
composed when Leighton was only 18. Difficult, dissonant, soaring passages are
easily handled by the Singers, who treat us to some amazing music by an fine,
relatively unknown composer. Some organ accompaniment. Extensive, detailed liner
notes.
6892 CD $15.98 |
Songs of Springtime: Under the Greenwood Tree The River-God's Song Sping, the Sweet Spring Love is a Sickness Sigh no more, Ladies Good Wine To Daffodils Phyllida and Corydon: Madrigal - Phyllida and Corydon Madrigal - Beauty sat bathing by a spring Pastoral - On a hill there grows a flower Air - Phyllis inamorata Ballet - Said I that Amaryllis Canzonet - The treasure of my heart Air - While she lies sleeping Pastoral - Corydon, arise Madrigal - To meadows A Cornish Carol I saw a fair maiden I saw a fair maiden The Full Heart The Rich Cavalcade Corpus Christi All the Flowers of the Spring As Dew in Aprylle Bethlehem Down A Cornish Christmal Carol |
Given performances as openly sincere and sensitive as these, few could remain
unmoved. Bethlehem Down with its haunting, desolate air is the best-known work
here but it only hints at the emotional intensity of such wonderful carols as
The full heart with its exotic harmonies and complex part-writing and the ravishingly
beautiful Corpus Christi. The relationship between Warlock and Moeran can be
overworked: musically the connections seem largely superficial. Not for Moeran
the pained utterances of a twisted soul, but in these two matchless madrigal
suites there is an indefinable Englishness-the result of a deep awareness of
tradition and love of the countryside. Again the innate musicality of the Finzi
Singers pays handsome dividends; these warm-toned, richly expressive voices
(not least Andrea Gray and Andrew Carwood, magnificent soloists in Warlock's
Corpus Christi) seem to capture the very essence of this uniquely lovely music.
6873 CD $15.98 |
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