Review: Veljo Tormis is best known for his preservation of folk songs and folklore in his music. On Vision of Estonia, his concern for the oppression of the Estonian people is mixed with this aspect. These pieces for male choir are fantastic. The title piece "Vision of Estonia" was written during the fall of the Soviet Union and finished when Estonian independence was declared. Tormis is also known for his orchestral choral sounds. In "Incantation for the Sea" and "Litany to Thunder" he translates the dramatic images depicted in the poetry into massive choral sounds. "Incantation for the Sea" comes from the epic poem Kalevala. Due to international interest in his music, Tormis uses a Latin translation to make his piece widely accessible to non-Estonian speaking choirs. The Estonian National Male Choir, led by Ants Soots, is dynamic in this music which honors their country.

Songlist: Double Dedication (Diptych), Vision of Estonia, The Viru Oath, Draught, Story of a Betrayer, The Last Ship (Valse triste), Hamlet's Songs, Incantatio maris aestuosi, Litany to Thunder, Our Shadows (Once We Will Reappear), Herding Calls, The Sarcasms of Juhan Liiv, A Conscripts's Escape from Toompea Castle Home to Kuusalu

Review: Estonian composer Veljo Tormis (1930-) emphasizes the role of verbal text and its message in his compositions, directed at the present, past and future of Estonian life. Written for men's chorus, "Visions of Estonia II" records in music the anxiety that was suppressed through the decades of Soviet repression. With "The Ballad of Mary's Land," composed in 1969, Tormis began a series of powerful large-scale choral compositions containing also his most famous work, "The Curse Upon Iron" for mixed chorus, written in 1972. "Reflections with Hando Runnel" (1981), is one of a series of short, sarcastic songs of protest he wrote during that period. "Days of Outlawry," with the subject of resistance fighting, was written for the banned film "The Outlaws;" "Journey of the War Messenger" and "Let The Sun Shine" take their texts from the Estonian National epic "Kalevipoeg." "Forget-me-not" is a national lament dedicated to former chief conductor Gustav Ernesada. Although none of these 23 songs is in English, we can feel the power and Tormis' deep feeling within this music through the performance of the Estonian National Male Choir.

Songlist: The ballad of Mary's Land, Reflections with Hando Runnel, Days of Outlawry, God Protect Us from War, Journey of the War Messenger, Let the Sun Shine!, Voices from Tammsaare's Herdboy Days, Forget-me-not, Men's Songs

Review: The third collection under the title "Vision of Estonia" continues recording the work of Estonian composer Veljo Tormis by the veteran Estonian National Male Choir. All song titles and lyrics of the piece are in Estonian. These lyrics, their meanings, and the history of the composer, the choir, and this dramatic, powerful piece are included in the extensive liner notes. The deeply emotional composition, written under the thumb of the Soviet occupation of Estonia, is divided into 32 movements--from the eight parts of "Dialektilisi aforisme," all less than a minute in length, and the 9-minute "Muistse mere laulud" to the intense 2 -minute "Sottaminck." "Vision III" a difficult, eclectic work that explodes into non-vocal percussion and vocal outbursts of protest and pride. Luckily, it is being sung by one of the best all-male choirs in the world, who perform it with tremendous spirit and feeling. Some accompaniment.

Songlist: The Singer, Songs Of The Ancient Sea, Plague Memory, Feelin' Groovy (The 59th Street Bridge Song), Going To War, Dialectical Aphorisms, Song About Level Land, We Are Given, An Aboriginal Song, The Estonians Political Parties Game, Song About Keeping Together, Martinmas Songs, Christmas Is Coming, Shrovetide Songs, Three I Had Those Words Of Beauty